References


 

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Ferrara, Beatrice (2019). “Alcune storie dalla fine (o dall’inizio) del mondo.Quaderni d’Altri Tempi January 8. 

 

Hernandez, Edgar (2019). “Latinfuturism. Un dispositivo decolonial fuera de tiempo. roots§routes – research on visual culture 9/31.

 

Jørgensen, Kenneth Mølbjerg, Anete Mikkala Camille Strand and David Boje (2013). “Towards a Postcolonial-storytelling Theory of Management and Organization.” Philosophy of Management 12/1: 43-66.

 

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Mackern, Brian (2016). “El Temporal de Santa Rosa.” Metamorfose 1/1: 85-94.

 

Miner, Dylan (2016). “Practicing Descolonización: A Few Thoughts from Wallmapu.” Justseeds Artists’ Cooperative's Blog, 28 July. 

 

Morton, Timothy (2016). Dark Ecology: For a Logic of Future Coexistence. New York: Columbia University Press.

 

Pérez Núñez, Alejandra (2017). “Un insediamento sublime.” In Leandro Pisano (ed.), Otros sonidos, otros paisajes, catalogue of the exhibition (pp. 28-33). San Martino Valle Caudina: Interferenze edizioni. 

 

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Rivera Cusicanqui, Silvia (2012). “Ch’ixinakax utxiwa: A Reflection on the Practices and Discourses of Decolonization.” The South Atlantic Quarterly 111/1: 95-108.

 

Rivera Cusicanqui, Silvia (2015). Sociología de la imagen: ensayos. Ciudad Autónoma de Buenos Aires: Tinta Limón.

 

Steingo, Gavin and Jim Sykes (eds.) (2019). Remapping Sound Studies. Durham: Duke University Press.

 

Stirling, Christabel (2013). Listening in Ruins: Aural Atmospheres of the Historical Present. Paper presented at the Hearing Landscapes Critically conference, Stellenbosch University.

 

Stirling, Christabel (2015). “Sound Art / Street Life: Tracing the social and political effects of sound installations in London.Journal of Sonic Studies 11.

 

Vélez, David (2018). “La necesidad (o no) de un arte sonoro.” CARMA 1: 41-49.