Exposition

Navegando hacia un sur sonoro: Two Sound Stories From South America (2020)

Leandro Pisano

About this exposition

As a moving and expanding terrain, sound art in South America is a research, application and sharing environment for a work developed by at least three decades of artists who have experimented with methods and processes in which sound intersects with digital technologies and with unconventional approaches to listening. The text presented here focuses specifically on two works produced within this extended context of practices, which offer many types of sound narration in which different elements emerge connected to the complexity of the levels of listening, even political in the South: Temporal de Santa Rosa by Brian Mackern, a recording and installation project that reinterprets popular, religious and traditional elements in a post-digital key and Antartica 1961-1996, an installation by Alejandra Pérez Núñez that investigates the imperceptibility of the political processes of appropriation of the Antarctic territory in recent decades by part of nation states.
typeresearch exposition
date19/03/2020
published19/03/2020
last modified19/03/2020
statuspublished
share statusprivate
copyrightPisano
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/823463/823464
doihttps://doi.org/10.22501/JSS.823463
published inJournal of Sonic Studies
portal issue19. Issue 19


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