Acknowledgements
Abstract
Introducing printmaking method as a writing tool. Thinking in layers
Structure. Dystopia, Ruinenlust, extended drawing and printmaking
I LAYERING MEDIA: EXPLORING POSTHUMAN LANDSCAPES
1.1. The post-human landscape in the ruins of capitalism
(1.2. Plant thinking. Inter-species communication as a escape route)
1.3. Dystopic Tallinn. Sunken Art Hall
1.4. Materialization of an idea: the accumulation of media
1.4.1. Layers of hybrid media as the foundation of a concept
1.5. Prototype of the study-case – Dystopic Austria. The afterstory of an artwork
II CROSS-BREEDING PRINTMAKING: STAGING RUINENLUST
2.1. Ruinenlust at Lasnamägi. Baroque, Piranesi and dinosaurs
2.2. Stereoscopic animation. Material comes alive
2.2.1. Puppetfilm as a slow resistance
2.3. Printmaking in the age of postprintmaking
2.3.1. Cross-breeding animation and printmaking. New potentialities
2.4. Prototype of the study-case – One I Had (Mustamägi). Extended drawing defined
III EXTENDING DRAWING FIELD: WORLDING IN SERIES
3.1. Drawing as a way of thinking. Mark-making
3.2. Extended drawing tactility in virtual reality
3.3. Thinking in layers. Tools from artists for imagining new realities
3.4. Paper and paperless. Tools of the extended drawing
3.5. Prototype of the study-case – Dystopic Iceland. Posthuman landscape on-site
SUMMARY
