A Tricky Performance (I will not give you what you want)
(last edited: 2023)
author(s): Femke Luyckx
This exposition is in progress and its share status is: visible to all.
This is an Integrated Assignment for COMMA, Joint Master Choreography Fontys&Codarts.
A research into expectations of the audience regarding aerial performances.
Expected Research Report
(last edited: 2023)
author(s): Femke Luyckx
This exposition is in progress and its share status is: visible to all.
This is a research into the influence of expectations during the creative process of an aerial performance.
What does a maker and/or performer think an audience expects from an aerial performance? What does an audience expect from an aerial performance?
What does the performer expect from the maker and the creative process?
What does the maker expect from the performer and the creative process?
And what is the (tacit) influence of all this on the co-creative making of an aerial performance?
Are we, creator and performer, aware of the impact of expectations? How do (tacit) expectations manifest themselves in the studio? Can they be identified, dislodged and scrutinized? Where do they come from, are they negotiable, can we deal with them and are we able to let them go?
This research starts from the assumption that (tacit) expectations are an overlooked factor in a making process. An influence that is not considered (enough). An influence that, from outside in and inside out, can stand in the way of a free creative flow, an open mind and therefor has an impact on the final outcome of an aerial creation.
What is your first thought when you read “aerial performance”?
4 sides of a triangle
(last edited: 2023)
author(s): Marjolein Wagter
This exposition is in progress and its share status is: visible to all.
Abstract,
this research was done in the context of the master COMMA, master in choreography for dance, circus and community arts.
Being a performer in outdoor circusarts, I am used to start a creation with an idea for an object, in this case a mobile triangle for aerial performance. I asked my self the question: ‘how to let meaning arise through the practice of creation, using ‘the other’ by listening to reflections and reactions during the creation process.
Breaking boundaries with the audience and ask for feedback during the creation process to get informed about the meaning of the piece is the approach I use
I am interested in how much of influence on the meaning of the piece is the material, the object we work with in itself? I decided to not know what the performance is about until the presentation in May.
SECOND COMING
(last edited: 2023)
author(s): Erik Valentin Berg
This exposition is in progress and its share status is: visible to all.
SECOND COMING focuses on the role of mystery in choreographic practices, dancing and writing. The commitment, stemming from the need to partially understand the process of becoming in relation to my formation as a choreographer, departs from the question:
What combination of learnable skills, collegial support and obscure faith does an artist need in the age of uncertainty?
Radically Tender Spaces
(last edited: 2023)
author(s): Janne Schröder
This exposition is in progress and its share status is: visible to all.
Young people practicing collective care as a performative strategy for the creation of alternative social imaginaries.
Individual Reflection, Evaluation and Documentation
(last edited: 2023)
author(s): silvanos
This exposition is in progress and its share status is: visible to all.
Here is my critical analysis of two artistic products that I worked on during the first trimester. I will closely examine a 15-minute short film titled Debt, a group collaborative product that I was the director of, followed by a short film script Mother No Mother, which I developed from week 2 of the trimester as the writer. Last but not least, I'll discuss how I created the one-man film Rainchester using a 360-degree camera as part of the experimentation process
