Research Catalogue

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• Espace coordonné (last edited: 2018) author(s): Paul Landon, Karine Madran, Maxime Boisvert This exposition is in progress.
  An exhibition installed in situ and responding the specific characteristics of an existing building leads to a context for the creation of new works responding to the temporality, the materiality, the architecture and the history of a given space.
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  Almat - Iteration EG (last edited: 2018) author(s): Hanns Holger Rutz, David Pirrò, Erin Gee This exposition is in progress.
  Discourse and materials pertaining to the experimental iteration with Erin Gee, during the Algorithms that Matter (Almat) artistic research project.
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  ARC 2018 (last edited: 2018) author(s): Carlos Roos This exposition is in progress.
  First season of the art_research_convergence project. It comprises 6 ARC nights, starting June 2018. Exhibitions, performances, installations and lectures. Work in progress and finished work in need of feedback.
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  Crafting Context: An Inquiry into the Art of Curating Music Performance (2018) author(s): Imogen Cooney published in: Research Catalogue
  Crafting Context: An Inquiry into the Art of Curating Music Performance Thesis written by Imogen Eve (3134989) Master of Music: New Audiences and Innovative Practices (Specialization) Royal Conservatory of the Hague Published on June 21, 2018 Supervisors: Falk Hübner and Renee Jonker Subject Teacher: Renee Jonker Research Question “How can present-day classical performance experiences be curated to fuse attentive listening with active audience engagement in non-traditional performance settings?” Research Summary This study explores how curatorial practices can be utilized to create new performance contexts that aim to fuse classical aesthetics with 21st century cultural values. Through research analysis, a Curatorial Methodology is formulated specifically for music events and then applied to case study projects. The outcome of this research has found that the tools within the curatorial method do aide in transforming these non-traditional performances into more engaging and artistically rewarding experiences. Even within the limitations of this study, this method of approach has the potential to craft new performance contexts that positively impact both classical and non classical musicians as well as generate engaging music experiences for 21st century audiences. Biography Imogen Eve is an independent performance arts curator and designer, specializing in creating immersive and interactive concert experiences. Utilizing her training as a musician and within theatre, she crafts the emotive elements inherent in live music with the environmental and atmospheric elements of spatial design to construct narratives - storytelling experiences communicated through sound and space. Imogen trained as a classical violinist and went on to study at the Queensland Conservatorium of Music (2009-2013) and at the Australian National Academy of Music (2014) whilst simultaneously working within theatre as both an actor and an artistic director. In 2012 she founded and directed The Painted Feet Orchestra, an interdisciplinary performance collective, and directed their productions in the 2012 Anywhere Theatre Festival (AUS) and the 2013 Music by the Sea Festival (AUS). From 2013 - 2015, Imogen was co-artistic director of the Deep Blue Orchestra (AUS) for their production of India Stories in the Woodford Folk Festival and at the Brisbane Powerhouse. As a freelance music director, Imogen worked with Fractal Theatre Company (AUS) on Secret Love Life of Ophelia in 2012 and The Shakespeare Theatre Company (AUS) on Mary Stuart in 2013. In 2016 she began her master research at the Royal Conservatory of the Hague specializing in curatorial practices for music performance. Imogen currently lives in The Hague and engages in freelance curatorial projects and performs as a violinist with the Pynarello Ensemble Collective.
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  The Dominant Eye (2018) author(s): Vincent Meelberg published in: Journal of Sonic Studies
  The Dominant Eye is a sixteen week project that aims to uncover why there is a heirachy of the visual sense whilst establishing strategies to re-engage with our forgotten senses. Through a series of weekly radio discussions, members from The Noematic Collective will build on a dialogue with speakers to form a manifesto towards an equality of the senses. Speakers will include sound theorists, artists, architects and specialist researchers whom deal with the beaurocracy of the senses that has been established by modernist thinkers like Art Critic Clement Greenberg.
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  Capturing Intimacy: Translating Intimate Moments in Film (2018) author(s): Kerstin Parth published in: Research Catalogue
  The aim of this arts-based research project was to examine the translation of intimacy in film and to create a transparency for the accompanying artistic decision-making processes. The research focus was to explore the processes involved in the production of moments of intimacy from an inter- and transdisciplinary perspective, and to study the contexts in which intimate moments are "translated" into moving images. Within this context, this project was particularly concerned with filmmakers' experiential knowledge about creating intimate moments within an artistic framework by employing different technologies and staging them in different ways, as well as with asking how this attributes meaning to these intimate moments. The framework of this research project includes an inter- and transdisciplinary workshop aimed at initiating a dialogue and exchange of knowledge between theory and practice. This workshop aimed to reflect together on the artistic (subjective creative) decision-making processes, to hone the research questions and lay the foundation for the artistic research that took place in the FILM LAB (film research laboratory). The establishment of a FILM LAB served as an innovative and open research space in which filmic translation and decision-making processes could be observed and rendered comprehensible by employing a "slow-motion procedure". In particular, the FILM LAB aimed to highlight the complexity of intimacy and sound out specific processes of translation by employing and reflecting various artistic and technical means and methods.
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Milla Kristina Tiainen

Kit Hammonds
Mexico, Taiwan, United Kingdom (residence), United Kingdom (citizenship)

Björn Ross
Denmark (residence), Sweden (citizenship)

Rosalie Ravensteijn
Netherlands (residence)

Duncan Higgins
United Kingdom

David Pirrò
Austria (residence), Germany, Italy (citizenship)

Tobias Pilz
Austria (residence)

Karst de Jong
Spain (residence), Netherlands (citizenship)

Maria Florencia Gomez