Research Catalogue

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• Arbeidstittel: Lilleaker Folkets Hus (last edited: 2020) author(s): Erik Daehlin This exposition is in progress.
  This project is part of Erik Dæhlins artistic research project
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  Between control and uncertainty (last edited: 2020) author(s): Marta Wörner Sarabia This exposition is in progress.
  "Between control and uncertainty" is a practice-led research that combines the kinetic study of the body as a structure and the implementation of media and expanded choreography tools to de-pattern the conventional relationship between body and space in performative environments. Moreover, on a meta-level, the investigation reflects on the tension between control and uncertainty in the act of research itself. With the firm belief that the body has inherent philosophical and epistemological knowledge which can be activated by experiencing and observing movement, I embraced the challenge to name and contextualize that knowledge. This inquiry started from my fascination for the kinetics of the body and its ability to reorganize itself in comparison with other micro and macro structures that do not move that way, such a, for example, the microstructures of materials like metal, rocks or the macrostructures built by the geography of the city and the Port of Rotterdam. The interdisciplinary research addresses the dichotomy structure-destructure and its application and affections to the body. In this sense, the research proposes a tool for de-patterning the habitual relationship between the body of the performer and the external space and offers to the audience a door for de-patterning their relationship with performative spaces. The research has been framed under the inspirational umbrella of the idea of performing the Deleuzian concept of “becoming”, (deriving from the Latin verb “devenire” which means “coming down, falling in, arriving to”). The physical inquiry is focused on the action of “falling in”, "devenire". The exploration led to an articulated and defined set of physical and interdisciplinary exercises that are the core of the dance practice ‘falling in’. In concordance with the practice, the findings of this research can be seen as ways of controlling and ways of facilitating, allowing, provoking uncertainty within the choreographic practice-led research frame. This research artistically materialized in the performance Falling in. Notes on body space and matter premiered in 2019.
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  Meetings with Remarkable and Unremarkable Trees (last edited: 2020) author(s): Annette Arlander This exposition is in progress.
  This exposition serves as an archive for the project "Meetings with Remarkable and Unremarkable Trees", where Annette Arlander spends time with specific trees and poses for camera together with them. The exposition is under construction
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  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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• The otherness of the self - how to curate a seventeenth century opera and sing all the roles yourself (2020) author(s): Elisabeth Holmertz, Jonas Howden Sjøvaag, Elisabeth Laasonen Belgrano published in: Norwegian Academy of Music
  The Otherness of the Self - how to curate a Seventeenth century Opera and sing all the Roles yourself. (or: -how to connect and disconnect the roles of the Baroque soprano and her postmodern Otherness. ) (or - a Voce sola in dialogo) -Is it possible to perform an opera and sing all the roles yourself? Is it even possible that we’ll come closer to the core in the music and the narrative if everything is anchored in one single person? -Can I use the interpretation of opera characters to better understand my different roles as a musician - the baroque soprano and the new music singer? - Am I two (or three, or fifty) different singers/musicians/roles depending on what genre or style I’m performing? What divides them? What ties them together? What factors determine how the voice will work, or not? - What can I use from my knowledge of early music in my practice as a performer of contemporary music, and vice versa?
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  Sonic Affordances of a Sacred Spring. The Urban Courtyard as a Figure of Rehabilitation of the Medina (2020) author(s): Noha Gamal Saïd published in: Journal of Sonic Studies
  This article investigates, from an in situ sonic experience, the rehabilitation project of the Source Bleue in Tiznit, Morocco, realized in 2015 by the architect and anthropologist Salima Naji. As the new architecture has favored the acoustic aspect of the spring, I reflect on the sonic affordances of the rehabilitated space. The study hinges on three concepts – affordances, thresholds, and ambiances – in order to analyze a double focus on sounds: field recordings (fixed points and short journeys) and a text that basically represents the author’s feelings, reinforced through short interviews conducted with users of the space. By using these methods, it is possible to determine the particularities of this soundscape and to comprehend the sonic affordances of the Source Bleue.
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Sander Hölsgens
Netherlands (residence)

Tamara Friebel

Brynjar Åbel Bandlien
Norway

Solmund Nystabakk

Andrew Miller

mari martin
Finland (citizenship)

Nayari Castillo-Rutz

Biro Daniel Peter
Norway (residence), Canada, Hungary, United States (citizenship)

Todor Rabadzhiyski