Research Catalogue

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  artist philosophers [AR 275-G21] (last edited: 2019) author(s): Arno Boehler connected to: University of Applied Arts Vienna This exposition is in progress.
  From the very beginning of European philosophy the relation between philosophy and arts has been highly problematic. In accordance with this historical demand, the project aimed to develop a research performance in which philosophy is methodologically and conceptually demonstrated as a matter of arts-based research rather then a “pure” science. By organizing a research-festival “PHILOSOPHY ON STAGE #4”, artists, philosophers and scientists collaborated to demonstrate on stage their theoria on the artist-philosopher.
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• Through Phenomena Themselves Schedule (last edited: 2019) author(s): Emma Cocker, Esa Kirkkopelto, Alex Arteaga, Alexander Damianisch, Nikolaus Gansterer, Tuomas H Laitinen, Saara Hannula, Katarina Šoškić, Jaakko Ruuska, Cordula Daus, Charlotta Ruth, Ralo Mayer This exposition is in progress.
  Through Phenomena Themselves Schedule
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  Research pavilion 2019 (last edited: 2019) author(s): Research Pavilion connected to: University of the Arts Helsinki This exposition is in progress.
  Uniarts Helsinki is organizing the 3rd Research Pavilion in the context of Venice Biennale, in May-August 2019. This edition presents itself as a meeting place, a catalyst of emerging co-operations in the area of artistic research and a generator of new thinking: a battery of research cells capable of recharging artistic research with new energy.
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  What's it like? (2019) author(s): Daniela Pascual published in: University of the Arts Helsinki
  I don’t know when a thesis begins, but I hope it ends somewhere. For Episodi, I've prepared "What’s it like?" – a juxtaposition of plans, thoughts, desires, and concerns. I suspect you will find contradictions I might not be aware of, and there are many choices left to make. Indeed, while I hope this exposition will help me throughout my thesis, I'm not trying to come to terms with my shortcomings, at least not yet.
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  THE BLACK MANA AND THE EVIL SPIRIT OF THE COBBLESTONES (2019) author(s): Gian Luigi Biagini published in: Ruukku Studies in Artistic Research
  This hyperstitional text describes the Disturbanist practice of the Anartist, that consists in subversive urban interventions on the edge of politics and counter-sorcery. Drawing on the theory of post-structuralist philosophers, it focuses particularly on artworks made with black cobblestones. This material, taken as symbolic concentrate of "black mana", evil spirits and spectral antagonist mythology is remodulated in provocative installations and interventions. The text shows also how the intensification of repetition of gestures, materials, symbols and forms can generate a singular territory-refrain based on a transpersona that - at its hyperstitional limit-unfolding - could resist, infect and counter-attack the Integrated Spectacle of Capitalism.
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  The event of disorientation: artistic methods of immanent critique (2019) author(s): Scott Andrew Elliott published in: Ruukku Studies in Artistic Research
  Through stories recounting experiences of disorientation and the process of reorientation, potentials are found for rethinking our relation to built surroundings. Engaging with art historical examples of architectural art installations that use methods repetition and replication, disorientation is approached as a catalyst for a process of ‘immanent critique’. This presents a way to critically engage with and inflect what is happening in the moment while remaining within the immediacy of that moment. This holds the potential for a participant in the event to inflect the event with one’s own implicated agency. The unfolding event is redirected, and novelty can emerge. The artworks of Mike Nelson, Gregor Schneider and Glenn Seator are discussed as sharing methods of artistic practice that catalyse immanent critique through their disorienting installations. Through a discussion of a selection of art installations, this paper proposes how employing methods of architectural repetition or doppelgängers can result in a catalytic disorientation. It is within this experience or event of disorientation that an immanent critique can take place, and where potentials for change can be taken up.
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Mariella Greil-Moebius

Julia Valle-Noronha
Brazil, Finland (residence), Brazil (citizenship)

Kirsi Törmi
Finland

the narrativecollective
Netherlands (residence)

Jonathan Reus

Jim Harold

Simona Koch
Austria, Germany (residence), Germany (citizenship)

Hermans Carolien
Netherlands

Tomi Herseta Bayu Sukma
Netherlands (residence), Indonesia (citizenship)