Research Catalogue

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• El cos reflectit; com el vestir condiciona l’imatge del propi cos. (last edited: 2020) author(s): Carla Gine This exposition is in progress.
  Lore impsum
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  LANGUAGE-BASED ARTISTIC RESEARCH (SPECIAL INTEREST GROUP) (last edited: 2020) author(s): Emma Cocker, Alexander Damianisch, Cordula Daus, Lena Séraphin This exposition is in progress.
  Conceived and co-organised by Emma Cocker, Alexander Damianisch, Cordula Daus and Lena Séraphin, this Society of Artistic Research Special Interest Group (SAR SIG) provides contexts for coming together via the exchange of language-based research. The intent is to support developments in the field of expanded language-based practices by inviting attention, time and space for enabling understanding of/and via these practices anew.
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  CCFT Buffer Fringe 2020 (last edited: 2020) author(s): Johan Sandborg, Linda H. Lien, Duncan Higgins, Shauna McMullan, Susan Brind, Jim Harold, Linda Lien, Yiorgos Hadjichristou, Ana Souto Galvan, andy d lock This exposition is in progress.
  Creative Centre for Fluid Territories (CCFT), is a peripatetic international research group that contributes to discussions about interdisciplinary practices and how they articulate critical insights about place making, belonging and occupation. Building on last year’s contribution to buffer fringe 2019 - ‘The Urban Glenti’ - CCFT proposes to create a unique dialogical and negotiated creative exchange to take place on-line within a dedicated exposition: Images, sounds, texts, interviews, moving image are going to be used to contest the idea of fixed documentation in order to acknowledge how our relationship to places are not static and where conflict/tension/uncertainty also defines the creative process itself. CCFT’s work methodology builds on an established mutual respect; track record and insight, rooted in a continued collaborative relationship that has emerged through trust and dialogue. Our focus is on practice-based research methods exploiting the creative intersection between image and text, presented as performance, publication, installation, architectural work, design intervention, music works and spatial practice. In the intersection of these formulations, we seek to explore the expanded concept of “the atlas” as a dissemination strategy. ATLAS – the order of memory - simultaneously linear and cyclic, ordered and labyrinthine, open to infinite interpretation and analysis — a form of mnemonic iteration – physical and virtual.
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• the second masking (2020) author(s): Corey Mwamba published in: Research Catalogue
  This presentation is a condensed summary of the author’s primary research. Using music, prose, and free verse, I seek to highlight the issues that work revealed within jazz and improvised music studies, and studies into vibraphone practice; briefly show the practical-philosophical roots of my methodology in the research; and present the practice-led roots of my current philosophy of the vibraphone.
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  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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  Photography Bound: Rethinking the Future of Photobooks and Self-publishing (2020) author(s): Adria Julia published in: Research Catalogue
  Curated by Antonio Cataldo and Adrià Julià. Organised by Fotogalleriet, Oslo and KMD, University of Bergen. Throughout this three-day event, Adrià Julià's students at the University of Bergen will actively partake and lead discussions Photo-based books and self-publishing are a vital emancipatory motor of discussion bringing communities across space and time together. The intent of this conference is manifold; firstly it aims to look at the historical structures for production that enable a multiplicity of voices to speak from their subjective positions. Secondly, addressing the current modalities that give contemporary practitioners, designers and publishers advantages and limitations within the field. Thirdly it addresses the future of photo-based publications through grant systems. To rethink the current moment which is challenging existing structures and demanding systemic change, this seminar represents a desire to rethink the Nordic Photobook Award. Initially, Fotogalleriet ran the award from 2012–18 in order to accompany upcoming voices within the field by co-producing photobooks with chosen candidates. The seminar's ultimate goal is to evaluate relevant structures of support providing the possibility to continuously provoke theoretical and practical change. CONFIRMED SPEAKERS: Terje Abusdal, Abdul Halik Azeez, Heidi Bale Amundsen, Delphine Bedel, Bruno Ceschel, Paul Gangloff, Erik Gant, Hans Gremmen, Roberto Figliulo, Cosmo Großbach, Sohrab Hura, Kay Jun, Aglaia Konrad, Moritz Kung, Silja Leifsdottir, Hailey Loman, Catalina Lozano, Vijai Patchineelam, Bonaventure Soh Bejeng Ndikung, Anna-Kaisa Rastenberger, Mette Sandbye, Ursula Schulz-Dornburg, Ahlam Shibli, Æsa Sigurjónsdóttir, Ina Steiner, Niclas Östlind, Stanley Wolukau-Wanambwa, and Antonio Zúñiga. With a discussion about Nordic funding with Anne Lise Stenseth (moderator), Tom Klev, Henri Terho, Annika Thörn Legzdins, Klara Þórhallsdóttir and Tine Vindfeld.
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Hanns Holger Rutz
Austria (residence), Germany (citizenship)

Geir Harald Samuelsen
Norway (residence)

Andrew Miller

Jonathan Reus

Cha Blasco
Sweden (residence), Spain (citizenship)

Wang Ming
Austria

David Martens

Kasper Tranberg

Martina Wolna
Norway (residence), Poland (citizenship)