Research Catalogue

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  ALMAT - Iteration JR (last edited: 2020) author(s): Hanns Holger Rutz, David Pirrò, Jonathan Reus, Daniele Pozzi This exposition is in progress.
  Discourse and materials pertaining to the experimental iteration with Jonathan Reus, during the Algorithms that Matter (Almat) artistic research project.
  open exposition comments (0)
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  ALMAT - Iteration LD (last edited: 2020) author(s): David Pirrò, Hanns Holger Rutz, Luc Döbereiner, Daniele Pozzi This exposition is in progress.
  Discourse and materials pertaining to the experimental iteration with Luc Döbereiner, during the Algorithms that Matter (Almat) artistic research project.
  open exposition comments (0)
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  Performing Place (last edited: 2020) author(s): Betina Abi Habib This exposition is in progress.
  Making performance is making Place. As placemaking becomes the new suggested approach for shaping our urban environment, more attention is given to people's practices as generative of urban form. Drawing a parallel between the habitually practiced rituals of our everyday and the artistically directed performances, I suggest that the latter generates 'place' from 'space', giving symbolic significance and specificity to the abstract notion of an environment. What does it mean to consider performance making as placemaking? Performance makes place for discourses, for the placing and layering of multiple narratives on a same platform which becomes contested. This contestation happens both physically and virtually as our spaces are also daily rendered by communication devices.
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  Home page JSS (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  Home page of the Journal of Sonic Studies
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  JSS Book reviews (2020) author(s): Journal of Sonic Studies published in: Journal of Sonic Studies
  JSS Book reviews
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  Art and Material (2020) author(s): Michael Kargl published in: University of Applied Arts Vienna
  This exhibition discusses the question of what the term material means in relation to artistic work. Starting from a classical understanding that describes the materials of art only retrospectively, the exhibition explores the impossibility of understanding material as something separated from the artist and the working process, and thus as something that can be definitively named. Rather, it is proposed to understand material as something that is subject to constant change and exists as such only at the moment of its comprehension as material. The concept of material thus changes from a fixed fact to a concept of a relational process.
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Tero Nauha
Finland

Christian Blom

Torben Snekkestad
Denmark (residence), Norway (citizenship)

Tomi Knuutila

Lise Hovik
Norway

Torkell Bernsen
Norway

Otso Tapio Lähdeoja
Finland

Katharina / K.H. Hauke

Danka Milewska