Research Catalogue

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  Performing with Plants - Att uppträda/ samarbeta med växter (last edited: 2018) author(s): Annette Arlander This exposition is in progress.
  EN This exposition documents and archives the artistic research project performing with plants. SVE Denna exposition dokumenterar och arkiverar det konstnärliga forskningsprojektet att uppträda/samarbeta med växter.
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  Transmitting a listening (last edited: 2018) author(s): Magda Mayas This exposition is in progress.
  Magda Mayas is a pianist and researcher, exploring relationships between sound, space and the listener within improvised music. She experiments with a grand piano, objects, microphones, speakers and space, exploring the inter relation between these elements, the performer and listener. Magda is investigating timbre, performance and listening as a research method, showing the process unfolding through the evolution of “Memory piece”, a work for amplified piano and playback, mapping a space through superimposing recorded and live performance in a quadraphonic speaker set up.
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  MEDIABORGARNA (last edited: 2018) author(s): My Häggbom connected to: Stockholm University of the Arts This exposition is in progress.
  Mediaborgarna är en del av Screening som samlar pågående forskningsprojekt på Film och Media på StDH/SKH. Mediaborgarna undersöker den dagsaktuella samtidsberättelsens gestaltningsformer och utmanar gränserna mellan fakta och fiktion, nyheter och drama, mediala och performativa konstnärliga praktiker i gränslandet mellan viljan att förstå och behärska och viljan att bli förförd och underhållen. Projektet består av förstudie i LABB, tre experiment: CitizenNews, ArtNews, BedtimeNews samt ett reflektionsdokument i form av en audiovisuell essä. Fler projekt inom Screening finns på: http://www.uniarts.se/om-skh/stockholms-dramatiska-hogskola/institutionen-for-film-och-media/screening
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  Monteverdi and the architecture of emotions (2018) author(s): Anabela Marcos published in: KC Research Portal
  Name: Anabela Marcos Main Subject: Singing Research supervisors: Johannes Boer and Erwin Roebroeks Title of Research: Monteverdi and the architecture of emotions Research Question: In what way could the formal and the expressive elements in Monteverdi's music be related to painting and architecture of his contemporaries? Summary of results: In the preface of his Eighth Book of Madrigals, Madrigali Guerrieri et Amorosi, Claudio Monteverdi announced one of the fundaments of his musical construction: the power of the contrasting passions. The humanist theme, that inspired not only musicians but also poets, painters and architects of the time, into a common goal; the expression of the human emotions. The research “Architecture of emotions”, is centred in Monteverdi’s music in the period starting from his Lamento d’ Arianna (1608) to the Lamento della Ninfa included in the Eight Book of Madrigals (1638) - the same time, thirty years, that it takes Francesco Borromini to finish the small church of San Carlo alle Quattro Fontane in Rome, in what will be his first (the interior) and his last commission (the façade). Inspired in this extraordinary building, which is both a guide and structure to the musical ideas presented, and supported by a selection of Caravaggio’s paintings to be the visual counterpart to Monteverdi’s music, this research aims to be a possible and personal interpretation to the vast question of the relation between music, painting and architecture in the context of the humanist environment in the transition from Renaissance to Baroque in Italy. Biography: After working as an architect for several years, the Portuguese Soprano Anabela Marcos, was granted a full scholarship from the Gulbenkian Foundation of Lisbon to study Singing and Opera at the Royal Conservatoire in the Hague, the Netherlands, with Rita Dams, Diane Forlano and Marius van Altena. Her opera repertoire includes Pamina (Die Zauberflöte, Mozart), Suzanna (Le Nozze de Figaro, Mozart), Zerlina (Don Giovanni, Mozart), Titania (Midsummer Night’s Dream, Britten), Clori (L’Egisto, Cavalli), Venus and Cupid (King Arthur, Purcell), Daphne (Apollo and Daphne, Händel), Belinda (Dido and Aeneas, Purcell). As a soloist, Anabela has worked with conductors such as Ton Koopman, Jos van Veldhoven, Sigiswald Kuyken, Michel Corboz and she is a member of the Baroque ensemble La Primavera. Among her future projects is the new program “Architecture of emotions”, included in the 25th jubilee of this ensemble and based on her two year research around Monteverdi’s music.
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  The Dominant Eye (2018) author(s): Vincent Meelberg published in: Journal of Sonic Studies
  The Dominant Eye is a sixteen week project that aims to uncover why there is a heirachy of the visual sense whilst establishing strategies to re-engage with our forgotten senses. Through a series of weekly radio discussions, members from The Noematic Collective will build on a dialogue with speakers to form a manifesto towards an equality of the senses. Speakers will include sound theorists, artists, architects and specialist researchers whom deal with the beaurocracy of the senses that has been established by modernist thinkers like Art Critic Clement Greenberg.
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• Future Guides for Cities: From Information to Home (2018) author(s): Michelle Teran published in: Norwegian Artistic Research Programme
  “Future Guides: From Information to Home” is an artistic research project on following: how to practice and theorize following. It was carried out between 2010-2014 within the Norwegian Artistic Fellowship Programme and around the Bergen Academy of Art and Design. A final exhibition of my artistic research, “Your Revolution Begins at Home“, took place at the USF Gallery and Cinemateket in Bergen, September 4-14, 2014. “Confessions of an Online Stalker“, a critical reflection text on artistic results of the research, was submitted in 2015.
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Michelle Teran
Germany, Norway (residence), Canada (citizenship)

Ivar Grydeland
Norway (residence)

Mariana Nobre Vieira

Jenny Brown
Australia

Christopher Williams
Germany (residence), United States (citizenship)

Otso Huopaniemi
Germany (residence), Finland (citizenship)

Emily Huurdeman
Netherlands (residence)

Giuditta Isoldi
Italy (residence)

Marc Goodwin
Finland (residence)