CRITICAL CONFABULATIONS – Corresponding Practices and Mappings
(2023)
author(s): Jim Harold, Alex Hale
published in: Journal for Artistic Research
This exposition is based on an archaeological survey in the landscapes around Kilmartin Glen, Argyll and Bute, western Scotland, and references digital datasets – archaeological reference points –alongside the acts (enactments) of field walking, photography, drawing and poetry – experiences and representational discourses – to consider how land and landscapes may be read as dynamic palimpsestic and multi-dimensional fields of entanglement.
Digital datasets were used by the survey to garner fruitful material to aid identification and to analyse (subtle) surface archaeological remains in the inhospitable terrain on the hills bordering Kilmartin Glen. By analysing, categorising and archiving such information, through naming and cataloguing, archaeological methodology effectively orders and tames such wildernesses. We, by contrast, are seeking to draw art and archaeological practices into dialogue with one another in order to assert the importance of recording experiences and random acts as a part of field research and, thereby, to both re-vivify and re-wild our encounters with landscape.
Our exposition, and shared practices, intentionally encourage nuances of reading and interpretation that are found at the dialogic intersection between an artist/poet encountering archaeological landscape survey, and an archaeologist experiencing artistic, poetic and linguistic readings of land: reflecting in the process upon contemporary methodologies and underlying theoretical discourses. As such this research sits within the wider contemporary turn towards interdisciplinary practice, and seeks to establish a dialogue across disciplines; between humans and landscapes, practice and matter, that provides emerging approaches and hopes to remind us of the wild experience.
Tracing Practices – questioning and circulating archives
(2023)
author(s): Per Roar, Camilla Graff Junior, Luisa Greenfield, Myna Trustram
published in: VIS - Nordic Journal for Artistic Research
Our exposition comes out of a conversation and explorative research process about the performative potential of archives, both publicly and personally, shaped by four different artistic mediums and practices in film, performance art, choreography and essay writing. The shared medium has been through the use of text and online communication.
The research was developed through ongoing monthly meetings and notes that were taken since April 2019. From those meetings, we laid a structure where we each created our parts of what became the score for "Living and Lasting", which we first performed in Oslo and then in Berlin in 2022*. This score is the pivot point of our exposition.
Our working process includes considerable elements of risk and surprise by alternating between collaborative meetings and individual work. The first time we perform a new piece none of us know exactly what or how the others will present. Along with the audience, we experience portions of the text, movements, and media put together for the first time, without knowing whether the whole thing will coalesce, diverge, or fall apart.
(*) In Oslo at the 2022 Nordic Summer University (NSU) and in Berlin at the symposium “Who tells y/our story?” by the artistic research project MEMORYWORK (2021-2024).
Haunted houses
(2021)
author(s): Emelie Carlén
published in: VIS - Nordic Journal for Artistic Research, Konstfack - University of Arts, Crafts and Design
This exposition uncovers the thought process behind and around the artworks Haunted Houses and Cold Readings. I focus my research on the two modernist buildings of E1027 and Villa Müller and the architects behind them. Through the production of these works I have been concerned with how narratives about these houses have been constructed and re-told – and how these narratives have changed as they have been 'rehearsed'. I have applied the methodology of rehearsal to my process in order to outline how historical writings and archival research can be used with the aim of finding alternative outcomes to what has already been written and said.
This exposition uncovers the thought process behind and around the artworks Haunted Houses and Cold Readings. I focus my research on the two modernist buildings of E1027 and Villa Müller and the architects behind them. Through the production of these works I have been concerned with how narratives about these houses have been constructed and re-told – and how these narratives have changed as they have been 'rehearsed'. I have applied the methodology of rehearsal to my process in order to outline how historical writings and archival research can be used with the aim of finding alternative outcomes to what has already been written and said.open exposition comments (0)