FACT stage one
(2024)
author(s): Jenny Sunesson
published in: Stockholm University of the Arts (SKH)
The research project FACT stage one aims to test the sonic capacity of fragmenturgy (developed by Sunesson 2014–19) as a method to unsettle polarised positions of areas and sites existing outside of the visual power structures and political strongholds.
The long-term purpose is to develop a Fragmenturgy ACtion Tool (FACT); a transitory toolbox for cultivating fragmenturgy methods and actions.
FACT stage one consists of a comprehensive case study carried out in collaboration with a group of students aged 18–23 based at Uppsala Community College in Sweden, which was explored as a site during 2021.
Image copyright: Christina Hillheim
Writing (…)
(last edited: 2024)
author(s): Hanns Holger Rutz
This exposition is in progress and its share status is: visible to all.
This exposition documents a series of reconfigurations of a piece originally conceived in 2011, 'Writing Machine'. The series continued with 'Wr_t_ng M_ch_n_' (2018), attempting to implement all aspects within a Mellite workspace, and 'Writing (simultan)' (2020), highlighting a new interest in the coming-together of otherwise independently operating processes. The current reconfiguration is 'Writing (suspend)' (2023), which returns to a single circle form, but replacing the display tables with a light-weight suspension as well as introducing kinetic and sensorial elements. The series is an exercise in understanding the concept of reconfiguration (algorithmic and not), conducted first within the Algorithms that Matter framework, and currently within the Simultaneous Arrivals project.