Visual Overeating: Pop Culture and the Chronically Online
(2025)
author(s): Denisa Ponomarevová, Daniela Ponomarevová
published in: FFA BUT – Faculty of Fine Arts, Brno University of Technology
This exposition examines the intersection of drawing, installation, and handmade objects informed by popular culture, spectacle, and visual symbolism. Central to the practice is the duality between physical materiality and virtual environments, a framework through which fictional realities are constructed and analyzed—often reflecting states of exhaustion, overload, and alienation characteristic of hyperactive contemporary culture. The use of low-budget materials and do-it-yourself methods introduces a deliberate tension between meticulous craftsmanship and intentional “amateurism,” while simultaneously subverting the capitalist logics of mass culture through the reuse and recontextualization of its visual language. Connecting introspective and social dimensions, the exposition offers not only an aesthetic experience but also a critical lens on everyday consumer routines, media-shaped reality, and processes of personal self-reflection.
Herbal Practice: A Symbolic Approach to Artistic Medicine (or, The Artistic Practice as Regurgitating Findings)
(last edited: 2023)
author(s): Maria Ilieva
This exposition is in progress and its share status is: visible to all.
Thesis of the Royal Academy of Art, The Hague, 2023, BA Fine Arts
This paper aims to research and study how traditional Bulgarian herbal healing and theoretical matter can influence artistic research and wheth- er they can be applied as methods to the artistic practice, guiding it to take a more self-sustainable form. Herbal medicinal plants have been applied to the daily lives of generations upon generations of humans, as tools to aid and better one’s health, as well as symbols in ritual practices across the globe. In this paper I am contextualizing herbal medicine within the scope of the contemporary artistic prac- tice, through decomposing the process of using herbal medicine into three key steps: gathering, combining and ingesting. I apply art theory based on these topics, to compare the herbal and artistic worlds, using the symbolic, metaphorical aspect
of herbal healing while keeping the logic behind it. Through this process, I aim at making a connection that strengthens the notion of the artistic practice both as a medicinal, as well as a deeply self-centric and self-sufficient practice.