The Music Producer as Artistic Co-creator
(2024)
author(s): Morten Büchert
published in: Rhythmic Music Conservatory, Copenhagen
In my artistic research project, I embarked on an exploration of the continuum between the roles of a music producer as both facilitator and initiator. Through in-depth engagement with real-world scenarios in professional music production, I examined the dynamics and nuances of how these roles negotiate, intersect, and shape the final artistic outcomes. This investigation not only unveils the intricate processes that underpin music creation but also highlights the implications these negotiations have on the resulting works of art. The findings shed light on the subtle artistry embedded in production decisions and offer a fresh perspective on the evolving landscape of music production.
HALL09 - Vilnius
(last edited: 2022)
author(s): Breg Horemans, Siebren Nachtergaele, Gert-Jan Stam
This exposition is in progress and its share status is: visible to all.
This page is part of TAAT's Live Archive. It's an attempt to structure the archival material of the project HALL33. We focus on scripting a specific workshop-performance that took place Match 10-11th in Vilnius, Lithuania. For this workshop-performance embedded researcher Siebren Nachtergaele (UGent/HOGent) was part of the team as an inside/outside eye in co-assembling of this script/archive page. This page functions as a residu of an embodied and reflective proces, visually meandering between action and extraction. TAAT is founded in 2012 by Gert-Jan Stam and Breg Horemans.
