University of Applied Arts Vienna

About this portal
The University of Applied Arts Vienna (Angewandte) enables its researchers to present their projects and findings on the Angewandte’s RC portal. In general, the Angewandte is developing innovative solutions for digitally supporting its staff, students, and alumni to publish, archive, and internationally connect their artistic and scientific research (e.g. repository). In this sense the RC is an important tool and an example of best practice.
contact person(s):
Alexander Damianisch 
,
Marianna Mondelos 
,
Wera Hippesroither 
url:
https://www.researchcatalogue.net/view/1851127/1851128
Recent Issues
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6. Art Research Envelope
The publication Envelope offers insights into ongoing PhD projects by candidates in the PhD programme PhD in Art at the University of Applied Arts Vienna in an innovative format. The major thrust of “Envelope” presents content supplied by doctoral researchers based on their individual artistic research and provides insights into ongoing work processes. These visual and textual traces reveal the state of the Art within its ongoing research processes. This open format seeks to reflect on experiences through exchange, as well as document relevant developments in the field of art and research. Further information: www.zentrumfokusforschung.uni-ak.ac.at.
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5. Art Research Envelope
The publication Envelope offers insights into ongoing PhD projects by candidates in the PhD programme PhD in Art at the University of Applied Arts Vienna in an innovative format. The major thrust of “Envelope” presents content supplied by doctoral researchers based on their individual artistic research and provides insights into ongoing work processes. These visual and textual traces reveal the state of the Art within its ongoing research processes. This open format seeks to reflect on experiences through exchange, as well as document relevant developments in the field of art and research. Further information: www.zentrumfokusforschung.uni-ak.ac.at.
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02. reposition Journal of reflective Positions in Art and Research
reposition Journal of reflective Positions in Art and Research
Support Project for Research Documentation at the University of Applied Arts Vienna
With contributions by Thomas Ballhausen (author and philosopher) and Elena Peytchinska (Institute of Fine Arts & Media Art – Stage and Film Design);
Pamela Breda (Digital Arts); Leo Hosp (Center Research Focus); Gabriela Krist (Institute of Conservation) and Marie-Christine Pachler (Institute of Conservation);
Mong-Sum Joseph Leung (Center Research Focus, PhD candidate PhD in Art); Bianca Ludewig (researcher and journalist), Magdalena Scheicher (researcher) and Conny Zenk (Center Research Focus, PhD candidate PhD in Art); Sophie Luger (Institute of Architecture) and Lenia Mascha (Institute of Architecture);
Imani Rameses (Center Research Focus, PhD candidate PhD in Art), Charlotta Ruth (Angewandte Performance Lab) and Jasmin Schaitl
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01. reposition Journal of reflective Positions in Art and Research
reposition Journal of reflective Positions in Art and Research
A publication of the Center Research Focus at the University of Applied Arts Vienna
Editorial Team: Gerald Bast, Alexander Damianisch, Barbara Putz-Plecko
With contributions by Pamela Bartar, Barbara Graf, Tanja Kimmel, Barb Macek, Valerie Messini, Verena Miedl-Faißt, Daniel Aschwanden†, Vera Sebert and Lucie Strecker.
Recent Activities
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I Can See Queerly Now. Queer Perspectives On Project Work
(2024)
author(s): Leo Hosp
published in: University of Applied Arts Vienna
Leo Hosp (Center Research Focus) widens our perspective through her contribution "I Can See Queerly Now. Queer Perspectives On Project Work", which is a reflection on queer working practices. Hosp intertwines her own experiences of queerness with insights from collaborative project work within the Action for Sustainable Future (ASF) hub. Hosp’s contribution refrains from defining queer research. Instead, it explores different aspects and approaches to deal with an inherently fluid term to propose a queer project work manifesto. Presented as a momentary insight into Hosp’s research, it is not to be understood as a finalized outcome but an open invitation.
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Notes On Artificial Intelligence And The Rise Of New Images
(2024)
author(s): Pamela Breda
published in: University of Applied Arts Vienna
Pamela Breda’s (Digital Arts) contribution "Notes On Artificial Intelligence And The Rise Of New Images" explores how hyper-realistic computer-generated images (CGI) reshape our perception of reality and its implications for human creativity. Her considerations stem from an ongoing interdisciplinary artistic research project that combines positions from visual cultural studies, cognitive psychology, and perceptual theory with historical perspectives. Breda’s contribution reflects on the historical background of CGI, its influence on various domains of individual and collective life, and its philosophical implications, her contribution provides current viewpoints on the position of AI and its past implications.
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Herbarium of Words: Literary Style at the Scale of a Street
(2024)
author(s): Thomas Ballhausen, Elena Peytchinska
published in: University of Applied Arts Vienna
Thomas Ballhausen's (author and philosopher) and Elena Peytchinska's (Institute of Fine Arts & Media Art – Stage and Film Design) contribution "Herbarium of Words: Literary Style at the Scale of a Street" artistically explores the interrelations of space, language, and literature and takes us on a walk through Vienna’s streets. The herbarium serves as a point of departure for historical observations, which is seen as a form of subjective and personal archiving of urban experiences by means of linguization. Their performative approach combines film stills, poetry, and theoretical backgrounds to transform the boundaries of text and bibliographic formats.
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Editorial ART RESEARCH ENVELOPE #6
(2024)
author(s): Ruth Anderwald, Leonhard Grond, Alexander Damianisch
published in: University of Applied Arts Vienna
The publication Envelope offers insights into ongoing PhD projects by candidates in the PhD programme PhD in Art at the University of Applied Arts Vienna in an innovative format. The major thrust of “Envelope” presents content supplied by doctoral researchers based on their individual artistic research and provides insights into ongoing work processes. These visual and textual traces reveal the state of the Art within its ongoing research processes. This open format seeks to reflect on experiences through exchange, as well as document relevant developments in the field of art and research.
Participating projects:
Sanja Andelkovic: Voice-Shifting as a Method: Eco-Gods in Future Orthodox Chants, Supervisor: Gerhild Steinbuch
Margit Busch: A Garden for a Fish, Supervisor: Virgil Widrich
Johanna Bruckner: Xenopoetic De/Compositions: The Affect-Body as Interface, Supervisor: Jakob Lena Knebl
Andrew Champlin: Technique Concerns: Ballet Practice Against the Western Archive, Supervisors: Ruth Anderwald + Leonhard Grond
George Demir: Ancestral Junctures: On the Expansion of Ancestral Mythologies, Supervisor: Hans Schabus
Rah Eleh: Xenofuturism: A Proposal for a Liminal Futurism, Supervisor: Bouchra Khalili
Wolfgang Konrad: Before the Truth in Documentary, Supervisor: Luzius Bernhard
Joseph Leung: Post-digital Angst – An Arts-Based Research on the Manifestations of Angst in the Digital Milieu, Supervisor: Gabriele Rothemann
Cristiana de Marchi: Casting a Shadow. On Disappearance, Emptiness, and the Haunting Power of Absence, Supervisor: Judith Eisler
Jo O’Brien: Confusion: As Resistance, as Relationship, and Towards the Relational, Supervisors: Ruth Anderwald + Leonhard Grond
Marthin Rozo Castaño: Art and Conservation in the Post-Conflict, Supervisor: Cristina Garcia Grinda + Efrén Diaz Moreno
Konstanze Stoiber, Untitled, Supervisor: Brigitte Felderer
Fabian Weiss: Ideal Self: How We Use Photography and Technology to Present and Optimise Ourselves, Supervisor: Margarete Jahrmann
Ksenia Yurkova: Figures of Reticence as a(bio)political Strategy, a Forced Necessity, and the Impossibility of Artistic Expression, Supervisor: Jakob Lena Knebl
Conny Zenk: RAD Performance – Driving Voices of Resistance, Supervisor: Ruth Schnell
Feel free to zoom in on each poster for ensured readability.
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An Ordinary Tree
(2024)
author(s): Wolfgang Konrad
published in: University of Applied Arts Vienna
PhD project: Before the Truth in Documentary, Supervisor: Luzius Bernhard
Envelope is a publication of the PhD in Art programme at the University of Applied Arts Vienna
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Art and Conservation of more-than-human Entities in the Post-Conflict
(2024)
author(s): Marthin Rozo Castaño
published in: University of Applied Arts Vienna
PhD project: Art and Conservation in the Post-Conflict, Supervisor: Cristina Garcia Grinda + Efrén Diaz Moreno
Envelope is a publication of the PhD in Art programme at the University of Applied Arts Vienna