Elizabeth Day is an interdisciplinery artist. Though a visual artist she completed her Doctorate in a creative writing context, and alongside her site specific exhibiting practice she now publishing creative writing such as The Black and Liverpool/Liverpool (recently published in Southerly) which reflect her fictocritical and here, post-colonial concerns.
She recently produced a work for Drawing Lines in the Sand, curated by Claire Taylor on Cockatoo Island Sydney titled CAUTION: THE LAW IS NOT ALWAYS JUST. Currently working on an essay for an exhibition called UNTITLED: SITE/NONSITE at Articulate in Sydney that looks to Doctoral research on the work of Robert Smithson.