Lisa Stuckey


Lisa Stuckey engages in cultural/media theory, art criticism, and the moving image. She holds a Master from the Academy of Fine Arts Vienna (focus: history and theory of art). Her artistic approach is a conceptual and her videos have been presented e.g. in Mumok Kino, Künstlerhaus Wien, Anthology Film Archives, Austrian Cultural Forum NYC. She curated Nor Heat Nor Gloom Of Night (Tiger Strikes Asteroid Los Angeles, 2018), I hear the waters' song (mumok kino, 2017), Posthuman Complicities (xhibit, 2017), and Prisoners of Venus. A Video Exhibition (Atelierhaus, 2016). Recent publications:

  • Poeto-forensische Ozeanographie. Ästhetik der Trauer in Left-to-Die Boat (Forensic Architecture) und Zong! (NourbeSe Philip), in: all-over | Magazin für Kunst und Ästhetik, Ausgabe #13, S. 29-37, ISSN 2235-1604.
  • Mater Mumie Materie. Gedächtnisschwäche im Mythos und die Antizipation des Posthumanismus, in: Johanna Braun [ed.]: Beschwörungsrituale. An Elisabeth von Samsonow. Wien 2016: Turia + Kant, pp. 161-168. 
  • The Curator, the Anesthetist, the Artist & her Absence // The Artist as Medic. Elisabeth von Samsonow‘s Performance "The Symptom and the Cure", in: Amt der Niederösterreichischen Landesregierung, Abteilung Kunst und Kultur [ed.] (2016): Elisabeth von Samsonow. Bielefeld: Kerber Verlag, pp. 235-349.
  • Ritual und Performancekunst – Ein dialektisches Verhältnis, in: Journal: Neue Kunstwissenschaftliche Forschungen, pp. 70-77.

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