Lisa Stuckey


Lisa Stuckey engages in cultural/media theory, art criticism, and the moving image. She holds a Master from the Academy of Fine Arts Vienna (focus: history and theory of art). Her artistic approach is a conceptual and her videos have been presented e.g. in Mumok Kino, Künstlerhaus Wien, Anthology Film Archives, Austrian Cultural Forum NYC. She curated Posthuman Complicities (2017) and Prisoners of Venus. A Video Exhibition (2016) at the Academy of Fine Arts Vienna. ** Recent publications:

  • Poeto-forensische Ozeanographie. Ästhetik der Trauer in Left-to-Die Boat (Forensic Architecture) und Zong! (NourbeSe Philip), in: all-over | Magazin für Kunst und Ästhetik, Ausgabe #13, S. 29-37, ISSN 2235-1604.
  • Mater Mumie Materie. Gedächtnisschwäche im Mythos und die Antizipation des Posthumanismus, in: Johanna Braun [ed.]: Beschwörungsrituale. An Elisabeth von Samsonow. Wien 2016: Turia + Kant, pp. 161-168. 
  • The Curator, the Anesthetist, the Artist & her Absence // The Artist as Medic. Elisabeth von Samsonow‘s Performance "The Symptom and the Cure", in: Amt der Niederösterreichischen Landesregierung, Abteilung Kunst und Kultur [ed.] (2016): Elisabeth von Samsonow. Bielefeld: Kerber Verlag, pp. 235-349.
  • Ritual und Performancekunst – Ein dialektisches Verhältnis, in: Journal: Neue Kunstwissenschaftliche Forschungen, pp. 70-77.

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