Henry I. Daniel

Canada (residence), Canada, Trinidad and Tobago, United Kingdom (citizenship)
research interests: performance studies, new media technologies, transdisciplinarity, African Diasporic Performance Practices, dance improvisation; choreographic practice; emergence; performance making;
affiliation: School for the Contemporary Arts, Simon Fraser University
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Dr Henry Daniel

www.henrydaniel.ca

Professor of Dance and Performance Studies, scholar, performer, choreographer, and Artistic Director of Full Performing Bodies, Daniel’s research concentrates on strengthening notions of Practice-as-Research (PaR), Arts-based-Research, and Research/Creation in Canada. He began his career as an actor with James Lee Wah's San Fernando Drama Guild and Derek Walcott's Trinidad Theatre Workshop. He was also a founding member of Astor Johnson's ground-breaking company, the Repertory Dance Theatre of Trinidad and Tobago. In the USA he was a member of the Alvin Ailey American Dance Centre Workshop, Pearl Primus African American Dance Company, Frank Ashley Dance Company, Asakawalker Dance Company, the Bernhard Ballet, and soloist with the José Limón Dance Company of New York. In Germany he founded and directed Henry Daniel and Dancers while continuing to work as a member of TanzProject MünchenTanztheater Freiburg, and Assistant Director, Choreographer, and Dancer for Tanztheater Münster with Birgitta Trommler. In the UK he founded and directed the performance group Full Performing Bodies, which he still maintains. His ongoing preoccupation with issues of identity and diaspora and its roots in a colonizing process begun the fifteenth century allows him to engage with the issue of how contemporary bodies perform, and hence transform, their sense of place, space, and identity. His current research Contemporary Nomads, examines transnational movement patterns prior to and in the wake of current political, economic, and refugee crises.