Research Catalogue

A piece of art is just the tip of the iceberg of conscious and unconscious processes, thoughtful and casual, known and unknown, which coexist with the process of the piece itself. In this sense, one of the aims of artistic research is to make visible the artistic process to act through it, without relying on epistemological research fields from outside the art practice. Thus, my theoretical and practical work as an artist and as a researcher is committed to artistic research in relation to the real. Basically, the real is conceived as nature, while reality, as our perception of it. This leads me to formulate my current research question: Will repetition make movement visible, or make visible the artistic process’s attempted movement in search of the real?