Hope Tucker documents the afterlives of social, institutional, and environmental decisions. She has re-photographed clippings of the Triangle Shirtwaist Fire; animated cyanotypes of downwinders; recorded mobile phone footage of the last public phone booths of Finland; written the text of a video out of paper clips, a Norwegian symbol of nonviolent resistance; retraced the path of protest that closed the only nuclear power plant in Austria; and preserved reckonings made by travelers to the site of the first detonation of an atomic bomb. Her recent work has been supported by MacDowell, the Warhol, Whiting, and Wurlitzer Foundations, and the University of Utah's Environmental Humanities Program. Her films have screened in hundreds of spaces including Ambulante, MX; Cairo Video Festival; Flaherty NYC; Festival Jean Rouch, Paris; Guam Public Television; International Film Festival, Rotterdam; Open City Docs, London; Punto de Vista, Pamplona; Sundance.