Research Catalogue

Anne Robinson’s practice is concerned with the perception and politics of time passing, working experimentally with duration, frame, exposure, paint, sound and movement. Recent research, art work and curatorial projects focus in particular on: the value of time, on vocal performance and temporality,  sensory perceptions of time passing, on the film frame as marker of temporaity and on time in paint surface, She recently curated the Over Time project, funded by Arts Council England, featuring pieces by eleven contemporary artists working on the Thames foreshore including soundscapes. Activities in in 2014 include: The Result of This Deception, song-film for Lumen Festival, London, solo show Vital Excess, Cass London, Thrashing in the Static, song-film in Ghost On the Wire, Deptford X 2014 and Folkestone Triennial Fringe. She presented the paper: Enlarger Than Life: Song-Films and Irrational Gestures psi20 in Shanghai. Other talks included GHost 13 at University of the Arts, CSM and Feminism and Subjectivities Research Group at Chelsea School of Art. Curatorial projects include: Time, Flesh and Nerve, One More Time and Supernormal festival. In 2013, she made Inside Out Blues for a Counterproductions residency during Capital of Culture year in Marseilles and presented at psi 19, Stamford. She works with film as an artist educator, currently senior lecturer at LondonMetropolitan University and completed a practice-led PhD on temporality entitled The Elusive Digital Frame and the Elasticity of Time in Painting in 2012.
www.annerobinsonartwork.org
overtimeart.org