Work in progress...
This study explores a year's worth of research into how performers, composers and audiences can highlight different ways of listening in order to better communicate with one another. Inspired by the work of Pauline Oliveros, the study takes an in-depth look at Oliveros' Deep Listening practice, and how aspects of this practice and other works of Oliveros might be incorporated into traditional concert settings, with audience participation, to deepen connections between performers and audience members.
Further attention is given to works of James Tenney and Cornelius Cardew which highlight certain aspects of listening and music making, and which can be used to explore how we give meaning to sounds and symbols.