Research Catalogue

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A bird’s eye view over rehearsals rooms in Europe in the 90’s to witness the bodies involved in the choreographic and dramaturgical processes of dance creation. A close encounter with the bodies of the dancers and the body of the choreographer and a look at the new actions of relation being performed. A dive into the movements of knowledge production, questioning the placement of the body of the dramaturg and looking for a source of dramaturgical awareness in choreographic learning, thus shifting the focus to the body of the dancer. Drawing from my learning experience with Susan Leigh Foster at the beginning of the 90’s, I support a model of embodied and performed thinking, where studio practice and theoretical requests overlay and call upon the body and the mind to perform synchronous acts of non separation and embodiment.

type	research exposition
keywords	dance, dance dramaturgy, Choreography, Choreographic Research, dancerbody, collaboration, creative practice, Dramaturgy, embodied, Embodied reflection
date	23/02/2023
last modified	08/09/2023
status	in progress
share status	public
copyright	Gianna Valenti
license	CC BY-NC-ND
language	American English
url	https://www.researchcatalogue.net/view/1986395/1986394

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1986963	Embo	copyright holder	CC BY-NC-ND
1986965	media1	copyright holder	CC BY-NC-ND
1986977	media2	copyright holder	CC BY-NC-ND
2001116	media3	copyright holder	CC BY-NC-ND
2280125	media4	copyright holder	CC BY-NC-ND
2280221	media5	copyright holder	CC BY-NC-ND
2280222	media6	copyright holder	CC BY-NC-ND

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Embodying Dance Dramaturgy — the body of the dancer, the body of the choreographer and the body of the dramaturg (last edited: 2023)

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