Research Catalogue

References

• Amano, Yuka, “‘Flower’ As Performing Body in Noh Theatre”, Asian Theatre Journal, Vol.28, Issue 2 (University of Hawaii Press, 2011), pp. 529-48 <https://doi.org/10.1353/atj.2011.0048>
• Borgdorff, Hendrik Anne (Henk), “The Conflict of the Faculties : Perspectives on Artistic Research and Academia”, 2012 <http://hdl.handle.net/1887/18704>
• Buonomano, Dean, Your Brain Is a Time Machine: The Neuroscience and Physics of Time (New York NY: W.W. Norton &amp; Company Inc, 2017)
• Csordas, Thomas J, “Somatic Modes of Attention”, Cultural Anthropology, Vol.8, Issue 2 (Wiley on behalf of the American Anthropological Association, 1993), pp. 135-56
• De Spain, Kent, Landscape of the Now: A Topography of Movement Improvisation (New York NY: Oxford University Press, 2014)
• Hassan, Robert, Empires of Speed: Time and the Acceleration of Politics and Society (Leiden and Boston: Brill, 2009)
• Komparu, Kunio, The Noh Theatre: Principles and Perspectives (Tokyo: Weatherill/Tankosha, 1983)
• Lepecki, André, “Still: On the Vibratile Microscopy of Dance”, in ReMembering the Body, ed. by Gabrielle Brandsetter and Hortensia Volckers (Vienna: Hatje Cantz Publishers, 2000), pp. 334-72
• Lu, Youjia, “Indeterminate Self”, 2017 <http://hdl.handle.net/11343/294841>
• Magee, Paul, “Introduction. Part 1: Beyond Accountability”, Text, 14: Special Issue: Beyond Practice-led Research (Society for Textual Scholarship, 2012)
• Maier, Craig T, “Attentive Waiting in an Uprooted Age: Simone Weil’s Response in an Age of Precarity”, The Review of Communication, Vol.13, Issue 3 (Taylor &amp; Francis, 2013), pp. 225-42
• Manning, Erin, Always More Than One: Individuation’s Dance (Durham NC: Duke University Press, 2013)
• Manning, Erin, Relationscapes: Movement, Arts and Philosophy (Campbridge MA: The MIT Press, 2009)
• Massumi, Brian, Parables for the Virtual: Movement, Affect, Sensation (Durham NC: Duke University Press, 2002)
• Massumi, Brian, Semblance and Event: Activist Philosophy and the Occurrent Arts (Cambridge MA: MIT Press, 2011)
• Merleau-Ponty, Maurice, Phenomenology of Perception (London and New York: Routledge, 2012)
• Morris, David, “Body”, in Merleau-Ponty: Key Concepts, ed. by Roslyn Diprose and Jack Reynolds (London: Taylor and Francis, 2014), pp. 111-20
• Quinn, Shelley Fenno, Developing Zeami: The Noh Actor’s Attunement in Practice (Honolulu HI: University of Hawaii Press, 2005)
• Ramirez-Christensen, Esperanza, Emptiness and Temporality: Buddhism and Medieval Japanese Poetics (Stanford CA: Stanford University Press, 2008)
• Rothfield, Philipa, Dance and the Corporeal Uncanny: Philosophy in Motion (Abingdon, Oxon: Routledge, 2021)
• Rovelli, Carlo, Helgoland (London: Penguin Books, 2021)
• Rovelli, Carlo, The Order of Time (New York: Riverhead Books, 2018)
• Sanders, Michael, “Intersubjectivity and Alterity”, in Merleau-Ponty: Key Concepts, ed. by Roslyn Diprose and Jack Reynolds (London: Taylor and Francis, 2014), pp. 142-51
• Yusa, Michiko, “Riken No Ken. Zeami’s Theory of Acting and Theatrical Appreciation”, Monumenta Nipponica, Vol.42, Issue 3 (Sophia University, 1987), pp. 331-45
• Zeami, Motokiyo, J Thomas Rimer, and Masakazu Yamazaki, On the Art of Nō Drama: The Major Treatises of Zeami (Princeton NJ: Princeton University Press, 1984)