Exposition

The Place of Shade (2024)

Anthony Morton, Ray Franz
open exposition

About this exposition

en
At first, the plan was simple — to be home by Christmas. To begin to view the very concept of home as built upon nostalgia. Imagining home is a pastime of any immigrant. If, as Breton suggests, ‘The imaginary is that which tends to become real,’ what were our imaginings bringing to life? The Place of Shade is an artistic research inquiry into the contemporary wake of the Norwegian presence in South Africa. Norwegians began operating within the British colonial framework around 1840 — the same period as the migration to America. Lutheran missions, whaling, farming, business and family characterise this almost 200-year Afri-Norge diasporic heritage. It has been almost entirely overlooked in visual culture, until now. Their legacy remains an integral component of the city and the province's socio-cultural fabric to this day. This exposition is just one expression within the broader scope of this ongoing project. Here, we on the one hand reflect on our preliminary research, methodology and fieldwork from a fictional standpoint — a kind of meta-methodological reflection — and, on the other hand, we address our Afri-Norge subject matter head-on. To achieve this, we narrate Ray Franz and Anthony Morton’s part in the initial fieldwork through the fictionalised perspectives of two PhD students at The University of Bergen — Vincent Dibble (RSA) and Bjarne Karlsen (NOR) — who leave their shared office to undertake an expedition which parallels ours, travelling to KwaZulu Natal, South Africa. This journey is set in the penumbra of the seismic socio-political events of 1999: The Truth and Reconciliation Commission, The South African Arms Deal, Case no. 4138/98, and the looming global spectre of Y2K. Dibble, an occidental eschatologist and accidental apocalypse-hunter. Bjarne, a philosophical cosmologist and photography enthusiast. This exposition is imagined as the pair's pin board, suspended upon the expanse of their office wall upon returning to Norway. Behind them it hangs, a silent curation of fever dreams, as they weave theses into existence, their gaze drawn through the window onto the sprawling canvas of Bergen's cityscape.

no
The Place of Shade er et kunstnerisk forskningsprosjekt som setter søkelys på arven etter nordmenns tilstedeværelse i Sør-Afrika. 1840-årene så ikke bare begynnelsen på en økende norsk utvandring til Amerika: i disse årene var det også nordmenn som begynte å operere innenfor det britiske kolonisystemet. Noen av disse endte opp i Sør-Afrika. Misjonering, hvalfangst, jordbruk, forretninger og familie preger denne nesten 200 år lange afrikansk-norsk diasporiske arven. Frem til nå har denne arven har fått lite oppmerksomhet innen forskning på visuell kultur – til tross for den stadig preger den sosio-kulturelle strukturen i byene og provinsene der nordmenn etablerte seg. Eksposisjonen er bare et uttrykk innenfor det bredere omfanget av dette pågående prosjektet. Her reflekterer vi over vår innledende forskning, metodikk og feltarbeid fra et fiktivt ståsted – en slags meta-metodologisk refleksjon – samtidig som vi også adresserer vårt afrikansk-norsk emne direkte. For å oppnå dette, formidler vi Ray Franz og Anthony Mortons rolle i det innledende feltarbeidet gjennom perspektivene til de to fiktive doktorgradsstudenter Vincent Dibble (RSA) og Bjarne Karlsen (NOR) fra Universitetet i Bergen som forlater sitt felles kontor for å gjennomføre en ekspedisjon som speiler Franz’ og Mortons egen, og reiser til KwaZulu Natal, Sør-Afrika. Denne ekspedisjonen foregår i penumbraen av 1999s seismiske sosio-politiske begivenheter: Sannhets- og forsoningskommisjonen, Den sørafrikanske våpenhandelen, Sak nr. 4138/98, samt frykten for millenniumskiftet. Dibble, en vestlig eskatolog og utilsiktet apokalypsejeger. Bjarne, en filosofisk kosmolog og fotografi-entusiast. Utstillingen forestilles som parets oppslagstavle, hengt opp på kontoret etter returen til Norge. Der henger den på veggen bak dem – som en taus kreasjon av feberdrømmer – mens de pønsker ut akademiske teser, med blikket rettet mot vinduet og utsikten over Bergens strålende bylandskap.
typeresearch exposition
keywordsAfri-Nordic, post-colonial, Missionaries, Geo-temporal imagination, Zululand, Durban, KwaZulu-Natal, South Africa, Norway, psychogeography, Artistic Ethnography, Fieldwork, Diaspora, Farming, Whaling, Meta artistic research, AfriNorge, Heritage, Migration, Artistic Research in Africa, Research Allegory
date03/09/2023
published02/04/2024
last modified02/04/2024
statuspublished
copyrightAnthony Morton; Ray Franz
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/2273845/2368248/133
doihttps://doi.org/10.22501/vis.2273845
published inVIS - Nordic Journal for Artistic Research
portal issue11. VIS Issue 11
external linkwww.anthonycharlesmorton.com , https://www.rayfranz.co.uk/work


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