Research Catalogue

References

• Ahlbäck, Sven, “About Asymmetrical Beat in the Polska”, in The Polish Dance in Scandinavia and Poland, ed. by Märta Ramsten (Svenskt visarkiv, 2003), pp. 165–80
• Andersson, Gössa Anders, Lars Orre, Evert Åhs, Elg Emanuel Andersson, and Gereon Fält, Folk Tunes from Orsa and Älvdalen [CD] (Caprice Records, 1995)
• Auslander, Philip, “Live and Technologically Mediated Performance”, in The Cambridge Companion to Performance Studies, ed. by Davis, Tracy C. (Cambridge University Press, 2008), pp. 107-19
• Bakka, Egil, “Om Svikten I Turdansane I: Semb, Klara Norske Folkedansar”, Turdansar, 1991, pp. 58–64
• Berchtold, Andreas, “Interview, Conducted by Olof Misgeld”, 2022
• Berchtold, Andreas, “Interview, Conducted by Olof Misgeld”, 2023
• Blom, Jan-Petter, “Rytme Og Frasering-Forholdet Til Dansen”, in Fanitullen. Innføring I Norsk Og Samisk Folkemusikk, ed. by Bjørn Aksdal (Universitetsforlaget, 1993), pp. 161–184
• Blom, Jan-Petter, “The Dancing Fiddle, On the Expression of Rhythm in Hardingfele Slåtter”, in Norwegian Folk Music Series 1 Slåttar for the Harding Fiddle Vol. 7 Springar in 3/4 Time, ed. by (Universitetsforlaget, 1981), pp. 305–312
• Burger, Birgitta, and Petri Toiviainen, “MoCap Toolbox - A Matlab Toolbox for Computational Analysis of Movement Data”, Proceedings of the Sound and Music Computing Conference 2013, SMC 2013, 2013, pp. 172–178 <https://doi.org/10.1016/j.eujim.2012.12.001>
• Dregelid, Ami, “Interview, Conducted by Olof Misgeld”, 2022
• Dregelid, Ami, “Interview, Conducted by Olof Misgeld”, 2023
• Dubus, Gaël, and Roberto Bresin, “A Systematic Review of Mapping Strategies for the Sonification of Physical Quantities”, PLoS ONE, 8.12, 2013, p. e82491 <https://doi.org/10.1371/journal.pone.0082491>
• Forsythe, William, “SYNCHRONOUS OBJECTS for One Flat Thing, Reproduced” <https://synchronousobjects.osu.edu> [accessed 20 January 2024]
• Fredriksson, Daniel, “Genom Tid Och Rum--Audiovisuellt Kulturarv, Musikaliska maskhål Och (augmenterad) Tradition”, Folk Och Musik, 2023 (Svenska litteratursällskapet i Finland, 2023)
• Giomi, Andrea, “Somatic Sonification in Dance Performances. From the Artistic to the Perceptual and Back” (MOCO ’20: 7th International Conference on Movement and Computing, 2020) <https://dl.acm.org/doi/10.1145/3401956.3404226>
• Gustafsson, Magnus, “Polskans historia : En Studie I Melodityper Och Motivformer Med utgångspunkt I Petter Dufvas Notbok”, 2016
• Haugen, Mari Romarheim, “Studying Rhytmical Structures in Norwegian Folk Music and Dance Using Motion Capture Technology: A Case Study of Norwegian Telespringar”, Musikk Og Tradition, Tidsskrift for Forskning I Folkemusikk Og Folkedans (Norsk folkemusikklag, Novus Forlag, 2014)
• Helmersson, Linnea, Eldsjälarna Och dansarvet : Om Forskning Och Arbetet Med Att levandegöra äldre Dansformer (Folkmusikens hus, 2012)
• Hermann, Thomas, Andy Hunt, John G Neuhoff, and others, The Sonification Handbook (Logos Verlag Berlin, 2011)
• Karreman, Laura, “The Motion Capture Imaginary: Digital Renderings of Dance Knowledge”, 2017
• Kvifte, Tellef, “Fenomenet ‘asymmetrisk’ Takt I Norsk Og Svensk Folkemusikk”., Studia Musicologica Norvegica, 1999, pp. 387–430
• Misgeld, Olof, Ami Dregelid [dancer], Andreas Berchtold [dancer], and Hadrian Prett [sound light design], Dancing Dots - the Exhibition (Stockholm, 2022) <http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4725>
• Misgeld, Olof, Andre Holzapfel, Petter Kallioinen, and Sven Ahlbäck, “The Melodic Beat: Exploring Asymmetry in Polska Performance”, Journal of Mathematics and Music, 16.2 (Taylor and Francis, 2022), p. 138-59
• Misgeld, Olof, Andre Holzapfel, and Sven Ahlbäck, “Dancing Dots-Investigating the Link Between Dancer and Musician in Swedish Folk Dance” (Malaga: Proceedings of the 16th Sound and Music Computing Conference (SMC2019), 2019)
• Misgeld, Olof, Hans Lindetorp, and Andre Holzapfel, “Accessible sonification of Movement: A Case in Swedish Folk Dance” (Sound and Music Computing Conference 2023, Stockholm, 2023)
• Misgeld, Olof, and Andre Holzapfel, “Towards the Study of Embodied Meter in Swedish Folk Dance” (Proceedings of the 8th International Workshop on Folk Music Analysis (FMA2018), 2018)
• Misgeld, Olof, “Music-Dance Mediations : Performative Explorations into an Asymmetrical Type of the Swedish Polska”, 2024
• Mårds, Turid, Svikt, Kraft Og Tramp: En Studie Av Bevegelse Og Kraft I Folkelig Dans. (Rff-sentret, 1999)
• Nilsson, Mats, “Participatory Dancing: The Polska Case”, in Dance and the Formation of Norden: Emergences and Struggles, ed. by Karin Vedel (Tapir Academic Press, 2011), pp. 131–150
• Norman, Ingvar, Lars Egler, Matts Arnberg, and Gunnar Sälgström, Orsapolska 1947-2000 (Folkmusikens hus, 2000)
• Polotti, P., and M. Goina, “Gesture Sonification. An Interaction Design Approach to an Artistic Research Case”, EAI Endorsed Transactions on Creative Technologies, 8.27 (EAI, 2021) <https://doi.org/10.4108/eai.19-3-2021.169036>
• Ramsten, Märta, The Polish Dance in Scandinavia and Poland (Stockholm: Svenskt Visarkiv, 2003)
• Rosenberg, Susanne, “Improvising Folk Songs: An Inclusive Indeterminacy”, Contemporary Music Review, 40.4, 2021, pp. 425–439 <https://doi.org/10.1080/07494467.2021.2001942>
• Rosenberg, Susanne, “The singer’s Imprint: Stability and Variation in Contemporary Folk singers’ Interpretations of Folk Chorales”, Svensk Tidskrift f{\"o}r Musikforskning, 2019, p. 201-25
• Rosenberger, Robert, and Peter PCC Verbeek, Postphenomenological Investigations: Essays on Human-Technology Relations (Lexington Books, 2015)
• Stanović, Inja, and Jeroen Billiet, “(Re)constructing Early Recordings: Reviving the Brave Belgians”, Music and Practice, 10 (www.musicandpractice.org, 2023) <https://doi.org/10.32063/1011>
• Öberg, Anna, and Charlotta Ruth, “Passing On—The Power of Oral Transmission”, Nordic Journal of Dance, 14.1, 2023, pp. 116–123 <https://doi.org/10.2478/njd-2023-0012>