Exposition

Anne Sauvagnargues - Deleuze and Guattari as VJay: Digital Art Machines (last edited: 2016)

Paulo de Assis
no media files associated
open exposition

About this exposition

Anne Sauvagnargues | Paris West University Nanterre La Défense, FR Day 2, 10 November, De Bijloke Kraakhuis, 14:00–15:00 I would like to focus on relations between art and technology. Our digital machinic phylum transforms entirely the relationship between “art,” “images,” and social assemblages. Though Deleuze rarely addressed the digital transformation of our contemporary art machine, Guattari often did. My concern is to articulate “images” as Deleuze understood them in the Cinema books using the ritornello, proposed by Guattari in The Machinic Unconscious and in Thousand Plateaus, in order to explain what I call the “ecology of images.” I will focus on two contemporary pieces: the video Diaries (2006) by Tania Mouraud (www.taniamouraud.com) and “I hate love stories” (1989), a computer painting by Georgik (www.centrepompidou.fr/cpv/resource/cknXny/r5eaL78)
typeresearch exposition
date10/11/2015
last modified01/03/2016
statusin progress
share statuspublic
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/236891/236892


Copyrights

nameAnne Sauvagnargues edited Discussion_1
copyrightME21
licenseAll rights reserved
usagesvideo
nameSauvagnargues DIS
copyrightm
licenseAll rights reserved
usagesimage
nameAnne Sauvagnargues edited Keynote_1
copyrightME21
licenseAll rights reserved
usagesvideo
nameSauvagnargues PRES
copyrightm
licenseAll rights reserved
usagesimage

Comments are only available for registered users.