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Anne Sauvagnargues - Deleuze and Guattari as VJay: Digital Art Machines (last edited: 2016)

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Anne Sauvagnargues | Paris West University Nanterre La Défense, FR Day 2, 10 November, De Bijloke Kraakhuis, 14:00–15:00 I would like to focus on relations between art and technology. Our digital machinic phylum transforms entirely the relationship between “art,” “images,” and social assemblages. Though Deleuze rarely addressed the digital transformation of our contemporary art machine, Guattari often did. My concern is to articulate “images” as Deleuze understood them in the Cinema books using the ritornello, proposed by Guattari in The Machinic Unconscious and in Thousand Plateaus, in order to explain what I call the “ecology of images.” I will focus on two contemporary pieces: the video Diaries (2006) by Tania Mouraud (www.taniamouraud.com) and “I hate love stories” (1989), a computer painting by Georgik (www.centrepompidou.fr/cpv/resource/cknXny/r5eaL78)
typeresearch exposition
date10/11/2015
last modified01/03/2016
statusin progress
share statuspublic
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/236891/236892


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255996 Sauvagnargues PRES m All rights reserved
255995 Sauvagnargues DIS m All rights reserved
253430 Anne Sauvagnargues edited Discussion_1 ME21 All rights reserved
253424 Anne Sauvagnargues edited Keynote_1 ME21 All rights reserved

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