Research Catalogue

References

• Allaby, Michael, “Ecotone”, in A Dictionary Of Zoology, ed. by (Oxford University Press, 2020)
• Biggs, Iain, and Mary Modeen, Creative Engagements With Ecologies of Place: Geopoetics, Deep Mapping and Slow Residencies (Routledge, 2020)
• Biggs, Iain, “Deep Mapping - A Partial View”., 2014 <http://www.iainbiggs.co.uk/2014/10/deep-mapping-a-partial-view/>
• Bodenhamer, David J., John Corrigan, and Trevor M. Harris, Deep Maps and Spatial Narratives (Indiana University Press, 2015)
• Casey, Edward, Representing Place: Landscape Painting and Maps (Bloomington: Indiana University Press, 2002)
• Chattopadhyay, Budhaditya, “Sonic Menageries: Composing the Sound of Place”, Organised Sound, 17 (Cambridge University Press), pp. 223-29
• Connolly, Claire, Rachel Murphy, Breda Moriarty, Orla-Peach Power, Michael Waldron, and Rob McAllen, “Deep Maps: West Cork Coastal Cultures”, Éire-Ireland (St. Paul), 55.3, 2020, pp. 180-87 <https://doi.org/10.1353/eir.2020.0022>
• Forsdick, Charles, Zoë Kinsley, and Kathryn Walchester, “Vertical Travel Writing: Introduction”, Studies in Travel Writing, 25 (Taylor &amp; Francis, 2021), pp. 103-09
• Hawkins, Harriet, “Creative Geographic Methods: Knowing, Representing, Intervening. On Composing Place and Page’”, Cultural Geographies, 22 (Sage Journals, 2015), pp. 247-68
• Heat-Moon, William Least, PrairyErth: (a Deep Map) (Houghton Mifflin, 1991)
• Ingold, Tim, The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (Routledge, 2011)
• Koch, Natalie, “Deep Listening: Practicing Intellectual Humility in Geographic Fieldwork”, Geographical Review, 110.1-2, 2020, pp. 52-64 <https://doi.org/10.1111/gere.12334>
• Lopez, Barry, “Profound Listening and Environmental Sound Matter”, in Audio Culture, ed. by Christoph Cox (Bloomsbury Academic, 2017), pp. 103-8
• McLucas, Cliff, “The Ten Tenets of Deep Mapping” <https://deepmapping.wordpress.com/2013/03/12/the-ten-tenets-of-deep-mapping/> [accessed 19 July 2023]
• Monaghan, Patricia, The Encyclopedia of Celtic Mythology and Folklore (Checkmark Books, 2008)
• Norman, Katharine, Sounding Art: Eight Literary Excursions through Electronic Music (Ashgate, 2004)
• Norman, Katharine, “Real-World Music As Composed Listening”, Contemporary Music Review, 15.1-2, 1996, pp. 1-27 <https://doi.org/10.1080/07494469608629686>
• Oliveros, Pauline, Deep Listening: A Composer’s Sound Practice (Kingston, NY: Deep Listening Publications, 2005)
• Pearson, Mike, and Michael Shanks, Theatre/Archaeology (London: Routledge, 2001)
• Roberts, Les, Deep Mapping (MDPI - Multidisciplinary Digital Publishing Institute, 2016)
• Smith, Sally K Sommers, “Landscape and Memory in Irish Traditional Music”, New Hibernia Review, 2 (University of St. Thomas, 1998), pp. 132-44
• Springett, Selina, “Going Deeper or Flatter: Connecting Deep Mapping, Flat Ontologies and the Democratizing of Knowledge”, Humanities (Basel), 4.4, 2015, pp. 623-36 <https://doi.org/10.3390/h4040623>
• Truax, Barry, “Genres and Techniques of Soundscape Composition As Developed at Simon Fraser University”, Organised Sound : An International Journal of Music Technology, 7.1, 2002, pp. 5-14 <https://doi.org/10.1017/S1355771802001024>
• Westerkamp, Hildegard, “Linking Soundscape Composition and Acoustic Ecology”, Organised Sound, 7 (Cambridge University Press, 2002), pp. 51-56
• Westerkamp, Hildegard, “Soundscape Composition: Linking Inner and Outer Worlds”, 1999 <https://www.hildegardwesterkamp.ca/writings/writingsby/?post_id=19&title=%E2%80%8Bsoundscape-composition:-linking-inner-and-outer-worlds->
• Westerkamp, Hildegard, “Speaking from Inside the Soundscape”, in The Book of Music & Nature, ed. by David Rothenberg (Wesleyan University Press, 2009), pp. 143-52