Exposition

The contemporary cello (last edited: 2017)

Andrea Gomez Oncina
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About this exposition

I have always been interested on looking for new repertoire for cello, in order to have a large range of pieces of many styles from where I can choose. I love Bach, Haydn and romantic composers. But 7 years ago, I listened to a piece from Lachemann for cello solo (Pression). I was very surprised about it, because I heard the cello sounding completely different, in a way that I had never heard before. That is how my interest in modern music started, and it has being growing until nowadays. I began to discover new repertoire after Romanticism (Britten, Ligeti, Kodaly, Glass, Gubaidulina, Lachemann, etc.) and I discovered very special and new feelings with this kind of music. In this way I started to research in contemporary cello repertoire, but I had never had the opportunity to play any of these pieces. I also realized that I didn't know so many musicians around me interested in these styles. In a way, I felt disappointed because nowadays, there are still a lot of musicians that don't have any interest on the music of our time, even from last century. I love romantic music, and I don't like all contemporary music, but I have discovered pieces that have really moved me. It is almost crazy that we don't know the music of our own time, because we are supposed to be the best generation to perform it! With this artistic research I saw very clearly the opportunity to start developing my career as a cellist also through contemporary music.
typeresearch exposition
date09/01/2017
last modified11/01/2017
statusin progress
share statuspublic
affiliationCodarts, University of the Arts
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/324902/324903
external linkwww.codarts.nl


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nameArtistic Research Report - Andrea Gómez Oncina
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usagespdf
name32. Sept papillons (Saariaho) - Papillon VII
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name31. Sept papillons (Saariaho) - Papillon VI
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name30. Sept papillons (Saariaho) - Papillon V
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name29. Sept papillons (Saariaho) - Papillon IV
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name28. Sept papillons (Saariaho) - Papillon III
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name27. Sept papillons (Saariaho) - Papillon II
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name26. Sept papillons (Saariaho) - Papillon I
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name25. A graveyard of broken statues (Wingel Pérez Mendoza) - Second presentation of the piece (Rotterdam, January 2014)
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name24. A graveyard of broken statues (Wingel Pérez Mendoza) - World premiere (Gaudeamus Jonge componistenbal, Utrecht - January 2014)
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name23. Meeting with Wingel Pérez Mendoza - Talking about dynamics
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name22 Meeting with Wingel Perez Mendoza Talking about the slap effect
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name21 Meeting with Wingel Perez Mendoza Talking about the character of Section B
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name20 Meeting with Wingel Perez Mendoza Talking about harmonics
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name19 A graveyard of broken statues Wingel Perez Mendoza 1st performance for the composer January 20
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name18. Memòria Infinita (José del Valle) - 2nd and 3rd movement (Premiere, January 2014)
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name17. Memòria Infinita (José del Valle) - 1st movement (Premiere, January 2014)
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name16. Meeting with José del Valle - Talking about ABDEC Composition System
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name15. Meeting with José del Valle - Talking about effects
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name14. Memòria Infinita (José del Valle) - 1st movement (1st recording, december 2013)
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name13. Ten preludes for cello solo (Gubaidulina) - 10. senza arco,senza pizzicato
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name12. Ten preludes for cello solo (Gubaidulina) - 6.flagioletti
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name11. Ten preludes for cello solo (Gubaidulina) - 5. sul ponticello-ordinario-sul tasto
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name10 Ten preludes for cello solo Gubaidulina 10 senza arco%2C senza pizzicato 1st recording%2C septemb
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name9. Ten preludes for cello solo (Gubaidulina) - 6. flagioletti (1st recording, september 2013)
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name8 Ten preludes for cello solo Gubaidulina 5 sul ponticello ordinario sul tasto 1st recording%2C se
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name7. Four short studies (Zimmermann) - Study IV
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name6. Four short studies (Zimmermann) - Study III
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name5. Four short studies (Zimmermann) - Study II
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name4. Four short studies (Zimmermann) - Study I
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name3. Demonstration of the spot where I can play the 5 first harmonics (free of nodes)
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name2. Demonstration of loops and nodes in a string
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name1. Demonstration of playing the same note in different nodes from the same wave
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