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About this exposition

When I started to study my master of clarinet in Codarts I had little problems to find a good subject for my research, because I wasn’t able to find any subject that was enough interesting to be two years researching. Many topics appeared in my mind, like the clarinet in jazz music or the expression of the music in Weber’s or Brahms’s works, but I did not think in contemporary music, because it was a field really unknown for me. However, one day talking with one of my research mates, one thought came to my mind and I said to myself “You are doing your master and you know almost nothing about contemporary music! But you never tried to learn and listen it, so it’s time to begin to discover this music”. This thought really convinced me to start looking for a good contemporary piece, so I talked with my teacher Nancy Braithwaite and she recommended me many pieces. At the end, I had two pieces to decide: Berio’s Sequenza for clarinet and Stockhausen’s In Freundschaft, but listening to both pieces I decided to play In Freundschaft because, beside of the contemporary writing and technique, it had movements added to the performing, so it was an extra element to go for.

type	research exposition
date	21/02/2017
archived	13/07/2023
last modified	13/07/2023
status	archived
share status	public
affiliation	Codarts
license	All rights reserved
url	https://www.researchcatalogue.net/view/334791/334792
archived in	KC Research Portal
portal issue	5. Archived expositions
external link	www.codarts.nl

id	name	copyright	license
334806	Final recording	(c) Marta Fitzsimmons Carnero	All rights reserved
334799	Zero recording	(c) Marta Fitzsimmons Carnero	All rights reserved
334797	Second recording	(c) Marta Fitzsimmons Carnero	All rights reserved
334794	marta_Report Marta Fitzsimmons Carnero	(c) Marta Fitzsimmons Carnero	All rights reserved

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My personal interpretation of "In Freundschaft" by K. Stockhausen (last edited: 2023)

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