Exposition

Patches of Time (PoT): Performing Memory through photographic (re)construction.. (last edited: 2025)

Lawrence Agbetsise

About this exposition

This study examines the relationship between the narratives in audio-visual artwork and the temporality of historical preservation within sociocultural contexts of destruction and re-construction, and rusting, through the concept of Sankofa. The series of photographic artworks titled “Patches of Time” delves into the socio-cultural fabric of memory, historical sites, forest, and the contemporary reconstruction of the past. Together with the written content, I show various forms of media such as photos, sound files and videos that reveal different aspects of the audio-visual practice. The photos and sound compositions are discussed here as ways of doing and making, exposing the experiences that hold aesthetic qualities and a sense of the sublime. The materiality of the photos and soundscapes mirrors an archaeological process, where remnants of the past are not only recovered but also recontextualized within contemporary sociocultural frameworks. Specifically, I investigate the integration of destruction and re-construction which aligns with Walter Benjamin’s notion that reproduction destabilizes traditional narratives, offering opportunities for reimagining history, and reshapes the aura of cultural artifacts. The destruction and re-construction of these photos impacts the narrative gestures of going back and starting anew (Sankofa). The study aims to observe the interconnectedness of art, memory and the mind as historical sites and explore the potential for re-imaging the nature of audio-photographic art.
typeresearch exposition
keywordsTemporality, Memory, Sankofa, Photos, Historical Sites
date18/05/2025
last modified18/05/2025
statusin progress
share statuspublic
copyrightLawrence Agbetsise
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3684300/3684301


Copyrights


Comments are only available for registered users.