Can a drawing be rehearsed?; or, There's no bowing in performance art

William Platz

About this exposition

This exposition combines a practice-led research project titled 'Tullah and Tom: A Drawing Affair' with a reflective analysis of ‘performance drawing’—a tag deployed with increasing frequency in drawing research. Drawing has always been hybridised and concocted with other disciplines and research frameworks, but its contemporary associations with performance art, expanded theatre and the performing arts are under-examined. The co-option of drawing by performance lacks extensive critical engagement, as do significant aspects of the performance drawing process. The subject of this exposition is two of these unexamined aspects—rehearsal and the curtain call. Although there are analogies to be drawn with theatre, this research resists analogy and focuses on these phenomena within the context of drawing practice. Drawing rehearsals and curtain calls are peculiar and specific activities within the performance/drawing nexus, and their examination has yielded significant insight. One private and one public, these ancillary and parasitical processes bracket the performance drawing and fulfil pivotal roles in enacting, re-enacting, and disenthralling the drawing from its performance matrix.

type	research exposition
keywords	drawing, life drawing, performance, rehearsal, performance drawing, artist's model
date	01/01/2018
published	11/04/2018
last modified	11/04/2018
status	published
affiliation	Griffith University
license	All rights reserved
url	https://www.researchcatalogue.net/view/375522/375554
doi	https://doi.org/10.22501/jar.375522
published in	Journal for Artistic Research
portal issue	15.

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Can a drawing be rehearsed?; or, There's no bowing in performance art (2018)

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