Exposition

„point in time - 時点、今を確認する" – we substantiate this moment, time is not linear and a continual dot..., (last edited: 2024)

Erika Matsunami
open exposition

About this exposition

This is the fragment of my contribution „point in time - 時点、今を確認する" – we substantiate this moment, time is not linear and a continual dot..., which was stolen with my computer in 2014. This contribution will be never completed. After the part 3 in this contribution I had new experience, i had to consider about the reality that is "society"; their law, their culture and human right, also about Art itself in their society. Key words were western academic art education, professionalism, immigration, culture and culture layers in the society such as multi culture society in the globalization. What means "Global" for us..., „point in time - 時点、今を確認する" – we substantiate this moment, time is not linear and a continual dot..., is an artistic research project which creates a connection between the presentation of physical art works, lecture (artist talk) with three thematic parts and the exhibition (re-presentation) with kind support of berlinerpool in the studio at Aqua Carré Berlin and at the office of berlinerpool in 2013. This paper is a summary of "POINT IN TIME" in 2013 and a contemplation about arts and cultures in our contemporary society. The three topics "IDEA-Prefiguration", "performative-open system" and "Untitled-semiotics as personal code" will be summarized by the art works of artists; Eduardo da Conceição, Emma Waltraud Howes, Charlie Jouvet, Erika Matsunami, Enda O’Donoghue. It's a matter of the art works of artists which represent "time and space" in cognitive processes with different techniques and medium: from painting to performance up to multimedia. This basic theme "time and space" was taken up in the exhibition (re-presentation) on materiality and aesthetics, and to substantiate the cultures as background of artists and identity as well as individuality in our contemporary global society. Thereby I reflected about contemporary primitive and globally in the arts and the cultures. p.s Art is not for the economic market, art by some of the people is their cultural and human existence and the evidence of their identity. (...) I was a member of berlinerpool (mobile archive for and of berliner contemporary art) since 2009. After the burglary at the berlinerpool office in March. My studio and other studios at the studio house Aqua Carré Berlin were burglarized in April, 2014 accordingly. (I didn't know about the burglary at the berlinerpool office. Their office was brocken in, before the burgraly at my studio house Aqua Carré Berlin.), thus I quitted the membership of the berlinerpool in 2014l. ... (add. in 2015) (I could not comprise Sigrun Drapatz's contribution together with others. Because of several times to be burglarized at the studio house Aqua Carré Berlin in Berlin, as well as at my studio, the studio house Aqua Carré Berlin on April 1, 2014, Many data of this project as well Sigrun Drapatz's went missing. This exposition is before 1. April 2014. I dedicated this essay to Franz Koppe, Professor of Philosophy at the Berlin University of the Arts, who died in 2012.) Why I'd like to decided Sigrun Drapatz's project especially which one she created her artistic project in Turkey to present within the project 'point in time'. Her husband is a turkish migration in Germany and she has children with him. She doesn't understand islamic so well as well as languages. She is atheist, however she tried to understand and to create her project in her concept. I call her this work semiotic personal code. I didn't think her this work as activism, because there was no political aim. Thereby my question was, which kind of attention could given by this semiotic personal code in the intercultural communication, which 'communication' might be creativity? Many people today are atheist, thus it' usual today–a subject of democratic co-existence. After her generation in art, it has been starting the art from the perspective of the everyday life which art is not in 'metaphysics'. such as art to see into. In this part 3 „semiotics as personal code“, I researched on symbolism and today's art within theories by Cassirer and Goodman philosophically.
typeresearch exposition
keywordsTopologie, Topos, Metapher, Trans-Culture, post-feminism, attention in aesthetic value, Aesthetics and Ethics
date11/12/2013
last modified17/03/2024
statusin progress
share statuspublic
copyrightErika Matsunami
licenseCC BY-NC-ND
languageGerman
urlhttps://www.researchcatalogue.net/view/59807/59910


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id name copyright license
61431 Erika Matsunami_CV_2013_EN_Web_copy Erika Matsunami All rights reserved
60730 Erika Matsunami_CV_2013_EN Erika Matsunami All rights reserved
60600 B.O.D.Y._Skizze_2013_02 Erika Matsunami/2013 All rights reserved
60598 B.O.D.Y._Skizze_2013 Erika Matsunami/2013 All rights reserved
60589 B.O.D.Y.-6 Erika Matsunami&Niklas Schmincke/GEMA All rights reserved
60586 Eduardo da Conceição Eduardo da Conceição All rights reserved
60485 Howes_Photos Emma Waltraud Howes All rights reserved
60482 Howes_Emma_Image_05 Emma Waltraud Howes All rights reserved
60480 Howes_Emma_Image_04 Emma Waltraud Howes All rights reserved
60478 Howes_Emma_Image_03 Emma Waltraud Howes All rights reserved
60473 Howes_Emma_Image_02 Emma Waltraud Howes All rights reserved
60472 Howes_Emma_Image_01 Emma Waltraud Howes All rights reserved
60455 Avó_NowAnImpossiblePRESENCE Márcio Carvalho All rights reserved
60394 Erika Matsunami_Bio Erika Matsunami All rights reserved
60372 IMG_6160_Emma_s Emma Waltraud Howes All rights reserved
60370 IMG_6154_SigrunDrapatz_s Sigrun Drapatz All rights reserved
60368 IMG_6157_berlinerpool berlinerpool All rights reserved
60356 EWH2011Archive_Kerstin_II_s Emma Waltraud Howes All rights reserved
60355 EWH2011Archive_Kerstin_I_s Emma Waltraud Howes All rights reserved
60352 HOWES_CV_PIT Emma Waltraud Howes All rights reserved
60350 B.O.D.Y.-2-2 Erika Matsunami&Niklas Schmincke/GEMA All rights reserved
60285 point in time-03_part1_EM EM All rights reserved
60280 HOWES_CV_2013 Emma Waltraud Howes All rights reserved
60276 Sigrun Drapatz Sigrun Drapatz All rights reserved
60271 DSC05628_marcio_s Márcio Carvalho All rights reserved
60269 Marcio_Carvalho_Onmemory1 Márcio Carvalho All rights reserved
60267 CV_Marcio Márcio Carvalho All rights reserved
60260 DSC05635_marcio_s Márcio Carvalho All rights reserved
60253 DSC05623_enda_s Enda O’Donoghue All rights reserved
60252 DSC05624_enda_s Enda O’Donoghue All rights reserved
60251 DSC05625_enda_s Enda O’Donoghue All rights reserved
60250 IMG_5525_enda_s Enda O’Donoghue All rights reserved
60233 ellipsis_w_s ENDA O’DONOGHUE All rights reserved
60232 CV-endaodonoghue2013 ENDA O’DONOGHUE/2013 All rights reserved
60227 Howes_Photos Emma Waltraud Howes All rights reserved
60224 EWH2011Archive_Emma_II_k Emma Waltraud Howes All rights reserved
60222 EWH2011Archive_Emma_I_s Emma Waltraud Howes/2011 All rights reserved
60214 IMG_5265_EM EM All rights reserved
60212 IMG_5264_EM EM All rights reserved
60204 IMG_5236_EM Erika Matsunami All rights reserved
60202 IMG_5241_drawing_2012–2013 Erika Matsunami/2013 All rights reserved
60200 IMG_2647_drawing_2012–2013 Erika Matsunami/2012 All rights reserved
60110 DSC05330_EM EM All rights reserved
60080 IMG_5252-charlie Charlie-Jouvet All rights reserved
60078 Geheimnistraeger Charlie-Jouvet All rights reserved
60075 IMG_5252-charlie charlie.j All rights reserved
60066 Collage 05 Eduardo da Conceição All rights reserved
60056 IMG_5254_eduardo Eduardo All rights reserved
60051 Collage 07 Eduardo da Conceição All rights reserved
60050 Collage 06 Eduardo da Conceição All rights reserved
60049 Collage 05 Eduardo da Conceição All rights reserved
60038 point in time_k EM All rights reserved
59962 forward EM All rights reserved
59955 Index EM All rights reserved
59951 space in the social field and space as an imaginary social field Erika Matsunami All rights reserved
59926 dot_red Erika Matsunami All rights reserved
59923 CV_Eduardo da Conceição Eduardo da Conceição All rights reserved
59908 Eduardo da Conceição_Museum 01_02 Eduardo da Conceição All rights reserved
59904 museum 02 Eduardo da Conceição All rights reserved
59817 Abstract_11.12.2013 ©Erika Matsunami All rights reserved

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