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Exposition

„point in time - 時点、今を確認する" – we substantiate this moment, time is not linear and a continual dot..., (last edited: 2024)

About this exposition

This is the fragment of my contribution „point in time - 時点、今を確認する" – we substantiate this moment, time is not linear and a continual dot..., which was stolen with my computer in 2014. This contribution will be never completed. After the part 3 in this contribution I had new experience, i had to consider about the reality that is "society"; their law, their culture and human right, also about Art itself in their society. Key words were western academic art education, professionalism, immigration, culture and culture layers in the society such as multi culture society in the globalization. What means "Global" for us..., „point in time - 時点、今を確認する" – we substantiate this moment, time is not linear and a continual dot..., is an artistic research project which creates a connection between the presentation of physical art works, lecture (artist talk) with three thematic parts and the exhibition (re-presentation) with kind support of berlinerpool in the studio at Aqua Carré Berlin and at the office of berlinerpool in 2013. This paper is a summary of "POINT IN TIME" in 2013 and a contemplation about arts and cultures in our contemporary society. The three topics "IDEA-Prefiguration", "performative-open system" and "Untitled-semiotics as personal code" will be summarized by the art works of artists; Eduardo da Conceição, Emma Waltraud Howes, Charlie Jouvet, Erika Matsunami, Enda O’Donoghue. It's a matter of the art works of artists which represent "time and space" in cognitive processes with different techniques and medium: from painting to performance up to multimedia. This basic theme "time and space" was taken up in the exhibition (re-presentation) on materiality and aesthetics, and to substantiate the cultures as background of artists and identity as well as individuality in our contemporary global society. Thereby I reflected about contemporary primitive and globally in the arts and the cultures. p.s Art is not for the economic market, art by some of the people is their cultural and human existence and the evidence of their identity. (...) I was a member of berlinerpool (mobile archive for and of berliner contemporary art) since 2009. After the burglary at the berlinerpool office in March. My studio and other studios at the studio house Aqua Carré Berlin were burglarized in April, 2014 accordingly. (I didn't know about the burglary at the berlinerpool office. Their office was brocken in, before the burgraly at my studio house Aqua Carré Berlin.), thus I quitted the membership of the berlinerpool in 2014l. ... (add. in 2015) (I could not comprise Sigrun Drapatz's contribution together with others. Because of several times to be burglarized at the studio house Aqua Carré Berlin in Berlin, as well as at my studio, the studio house Aqua Carré Berlin on April 1, 2014, Many data of this project as well Sigrun Drapatz's went missing. This exposition is before 1. April 2014. I dedicated this essay to Franz Koppe, Professor of Philosophy at the Berlin University of the Arts, who died in 2012.) Why I'd like to decided Sigrun Drapatz's project especially which one she created her artistic project in Turkey to present within the project 'point in time'. Her husband is a turkish migration in Germany and she has children with him. She doesn't understand islamic so well as well as languages. She is atheist, however she tried to understand and to create her project in her concept. I call her this work semiotic personal code. I didn't think her this work as activism, because there was no political aim. Thereby my question was, which kind of attention could given by this semiotic personal code in the intercultural communication, which 'communication' might be creativity? Many people today are atheist, thus it' usual today–a subject of democratic co-existence. After her generation in art, it has been starting the art from the perspective of the everyday life which art is not in 'metaphysics'. such as art to see into. In this part 3 „semiotics as personal code“, I researched on symbolism and today's art within theories by Cassirer and Goodman philosophically.

type	research exposition
keywords	Topologie, Topos, Metapher, Trans-Culture, post-feminism, attention in aesthetic value, Aesthetics and Ethics
date	11/12/2013
last modified	17/03/2024
status	in progress
share status	public
copyright	Erika Matsunami
license	CC BY-NC-ND
language	German
url	https://www.researchcatalogue.net/view/59807/59910

Copyrights

name	dot_red
copyright	Erika Matsunami
license	All rights reserved
usages	picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, image

name	IMG_5254_eduardo
copyright	eduardo
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usages	picture

name	IMG_5252-charlie
copyright	Charlie-Jouvet
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name	Geheimnistraeger
copyright	Charlie-Jouvet
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name	IMG_2647_drawing_2012–2013
copyright	Erika Matsunami/2012
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name	B.O.D.Y._Skizze_2013_02
copyright	Erika Matsunami/2013
license	CC BY-NC-ND
usages	picture

name	B.O.D.Y. -　月を慕ふ　 tsuki o shita(f)u_01_Detail
copyright	Erika Matsunami/VG Bild-Kunst, Bonn/2013
license	CC BY-NC-ND
usages	picture

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copyright	EM
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name	B.O.D.Y.-hidden codes (1993/2013)_Erika Matsunami
copyright	Erika Matsunami/VG Bild-Kunst, Bonn/2013
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usages	picture

name	Erika Matsunami_CV_2013_EN_Web_copy
copyright	Erika Matsunami
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usages	pdf

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copyright	Erika Matsunami/GEMA
license	CC BY-NC-ND
usages	audio

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copyright	Erika Matsunami/GEMA
license	CC BY-NC-ND
usages	audio

name	DSC05628_marcio_s
copyright	Márcio Carvalho
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name	Marcio_Carvalho_Onmemory1
copyright	Márcio Carvalho
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name	CV_Marcio
copyright	Márcio Carvalho
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name	Avó_NowAnImpossiblePRESENCE
copyright	Márcio Carvalho
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usages	video

name	DSC05625_enda_s
copyright	Enda O’Donoghue
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usages	picture

name	DSC05624_enda_s
copyright	Enda O’Donoghue
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name	DSC05623_enda_s
copyright	Enda O’Donoghue
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copyright	ENDA O’DONOGHUE
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name	CV-endaodonoghue2013
copyright	ENDA O’DONOGHUE/2013
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usages	pdf

name	IMG_6160_Emma_s
copyright	Emma Waltraud Howes
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name	IMG_6154_SigrunDrapatz_s
copyright	Sigrun Drapatz
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name	IMG_6157_berlinerpool
copyright	berlinerpool
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name	Sigrun Drapatz
copyright	Sigrun Drapatz
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name	IMG_5525_enda_s
copyright	Enda O’Donoghue
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usages	picture

name	IMG_5265_EM
copyright	EM
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name	IMG_5264_EM
copyright	EM
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name	DSC05330_EM
copyright	EM
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name	point in time_k
copyright	EM
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copyright	Emma Waltraud Howes
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name	Howes_Emma_Image_04
copyright	Emma Waltraud Howes
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name	Howes_Emma_Image_03
copyright	Emma Waltraud Howes
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name	Howes_Emma_Image_02
copyright	Emma Waltraud Howes
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name	Howes_Emma_Image_01
copyright	Emma Waltraud Howes
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name	EWH2011Archive_Kerstin_II_s
copyright	Emma Waltraud Howes
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name	EWH2011Archive_Kerstin_I_s
copyright	Emma Waltraud Howes
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name	EWH2011Archive_Emma_II_k
copyright	Emma Waltraud Howes
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name	EWH2011Archive_Emma_I_s
copyright	Emma Waltraud Howes/2011
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name	Howes_Photos
copyright	Emma Waltraud Howes
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usages	pdf

name	HOWES_CV_PIT
copyright	Emma Waltraud Howes
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usages	pdf

name	Eduardo da Conceição_Museum 01_02
copyright	Eduardo da Conceição
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name	Collage 07
copyright	Eduardo da Conceição
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name	Collage 06
copyright	Eduardo da Conceição
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name	Collage 05
copyright	Eduardo da Conceição
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name	museum 02
copyright	Eduardo da Conceição
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name	museum 01
copyright	Eduardo da Conceição
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name	Eduardo da Conceição
copyright	Eduardo da Conceição
license	All rights reserved
usages	pdf

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