Exposition

The Italic I (collaboration with Clare Thornton) (last edited: 2019)

Emma Cocker

About this exposition

'Exposition' in progress. The Italic I is an artistic research collaboration between writer-artist Emma Cocker and interdisciplinary artist Clare Thornton that explores the different states of potential activated by purposefully surrendering to the event of a repeated fall. Rather than an accidental occurrence encountered by chance, within our artistic investigation falling is apprehended consciously as a training exercise for mind and muscle, tested out in physical, cognitive, and even linguistic terms. Within The Italic I the act of falling is slowed and extended through the use of both lens and language, as a means for attending to its discrete phases or scenes. Within The Italic I, the live performance of falling is not shared with an audience: this enquiry explores specificity of experience communicable in the mediation of performance through its documents, both photographic and textual. Rather than view these technologies as somehow deficient or limiting— as incapable of reflecting the experiential, ephemeral nature of the live event — The Italic I reflects on the document itself as an ephemeral artwork, always evolving, always in transition. Less as an indexical record of ‘being there’, the performance document is approached as a malleable material that can be dislocated from its originary historical context, to be brought into new configurations through repeated staging and re-staging. The exposition presents a series of configurations and iterations of the documents generated through The Italic I within which we have explored three interwoven questions: How to present the experiential nature of falling as a force rather than simply representing its form? How to develop a mode of linguistic expression — an alternative poetic textual document — that embodies rather than describes the live experience that it seeks to articulate? What alternative modalities of performance and performativity — what emergent temporalities and subjectivities — arise through the restaging or reactivation of different performance documents? By reflecting on the evolution and performativity of the various ‘documents’ generated within The Italic I, our intent is to explore what is at stake at the threshold where live and lens meet, in the interval between live performance and lens-based mediation, between event and document.
typeresearch exposition
date24/02/2014
last modified10/05/2019
statusprogress
share statuspublic
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/66378/66379


Simple Media

id name copyright license
149142 The Italic I HD EMma Cocker and Clare Thornton All rights reserved
149134 The Italic I Emma Cocker and Clare Thornton All rights reserved
145165 The Italic I Emma Cocker and Clare Thornton All rights reserved
145076 The Italic I Emma Cocker and Clare Thornton All rights reserved
79042 The Italic I Emma Cocker and Clare Thorton All rights reserved
79040 FALL C 5 (colour) emma cocker and clare thornton All rights reserved
79038 FALL C 4 (colour) emma cocker and clare thornton All rights reserved
78593 The Italic I emma cocker and clare thornton All rights reserved
78591 The Italic I emma cocker and clare thornton All rights reserved
66392 9 Fall ec All rights reserved
66387 6 Fall ec All rights reserved
66383 5 Fall ec All rights reserved
420365 The Italic I, 2016 Emma Cocker and Clare Thornton All rights reserved
420410 The Italic I, 2016 Emma Cocker and Clare Thornton All rights reserved
420420 The Italic I, 2016 Emma Cocker and Clare Thornton All rights reserved
424046 The Italic I Emma Cocker and Clare Thornton All rights reserved
424057 The Italic I Emma Cocker and Clare Thornton All rights reserved
424061 The Italic I Emma Cocker and Clare Thornton All rights reserved
424066 The Italic I H.264 Emma Cocker All rights reserved
424069 The Italic I (Alternative Document) Emma Cocker and Clare Thornton All rights reserved
424103 The Italic I (The Alternative Document) Emma Cocker and Clare Thornton All rights reserved
424105 The Italic I artists' publication Emma Cocker and Clare Thornton All rights reserved
424107 The Italic I artists' publication I Emma Cocker and Clare Thornton All rights reserved
424142 Falling tests Emma Cocker and Clare Thornton All rights reserved
424144 Falling tests1 Emma Cocker and Clare Thornton All rights reserved
424146 TheItalicIrecursion Emma Cocker and Clare Thornton All rights reserved
424148 TheItalicIrecursion1 Emma Cocker and Clare Thornton All rights reserved
424183 The Italic I (The Alternative Document) Emma Cocker and Clare Thornton All rights reserved
435661 The Italic I 1 - copy Emma Cocker and Clare Thornton All rights reserved
435663 The Italic I 2 - copy Emma Cocker and Clare Thornton All rights reserved
435665 The Italic I 3 - copy Emma Cocker and Clare Thornton All rights reserved
435667 The Italic I 4 - copy Emma Cocker and Clare Thornton All rights reserved
435670 The Italic I 5 - copy Emma Cocker and Clare Thornton All rights reserved
435672 The Italic I 6 - copy Emma Cocker and Clare Thornton All rights reserved
459818 The Italic I web work Emma Cocker and Clare Thornton All rights reserved
459820 The Italic I documents Emma Cocker and Clare Thornton All rights reserved
459833 Verge-Feb 18-web-15_preview Emma Cocker and Clare Thornton All rights reserved
459837 Documents, Alternatives Emma Cocker and Clare Thornton All rights reserved
459839 Thornton-Cocker-The-Italic_i Emma Cocker and Clare Thornton All rights reserved
459841 proposition-1 Emma Cocker and Clare Thornton All rights reserved
459846 The Italic I (1) Emma Cocker and Clare Thornton All rights reserved
459848 The Italic I Emma Cocker and Clare Thornton All rights reserved
459850 The Italic I-8-1(TH) Emma Cocker and Clare Thornton All rights reserved
459857 ItalicIDocuments Emma Cocker and Clare Thornton All rights reserved
459879 Italic I verge Emma Cocker and Clare Thornton All rights reserved
460133 Italic i Emma Cocker and Clare Thornton All rights reserved

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