Exposition

Reflection on the auditory and visual aspects of 'site-specific' in arts (last edited: 2019)

Erika Matsunami
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About this exposition

This artistic research is a cognitive research with regard to part three of „N.N-Zwischenliegend” that is based on auditory and visual aspects of site-specific installation, which is focused on their concepts and components in arts. Situs, which is included in site-specific, means the location, especially in the phrase in situ. A contemplation of in situ on the subject of „localization and an existing reality” is the starting point of this research, which is concerned with the topic of site-specific art as well as installation. Consequently I deal with Max Eastley’s concept of auditory aspects of site-specific installation and its seeing in, and theoretically I deal with the reflection of visual aspects of site-specific art in aesthetics and philosophy of art, especially with a paper „Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy“ by Jonson Gaiger in which paper of his argument for the orientation of recent art practice towards what has come to be termed ‘site-specificity’, and as well as with site-specific installation in the contemporary spatial strategies. In conclusion I therefore question whether a site-specific art as well as installation still would be experimentation in the arts. And how? I mention thereby about Autonomy and its Identity in Arts.
typeresearch exposition
keywordsin situ, spatial strategy, perception, Auditory space and visual sense, Autonomy, site-specificity
date30/08/2019
last modified01/12/2019
statusprogress
share statuspublic
copyrightErika Matsunami
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/677908/677909


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id name copyright license
730088 Experimental Musical Ins Max Eastley All rights reserved

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