Simple Media
id |
name |
copyright |
license |
678182 |
recording 1a |
e.kravitz |
All rights reserved |
678183 |
recording 1b |
e.kravitz |
All rights reserved |
678186 |
recording 1a. |
elisha kravitz |
All rights reserved |
678190 |
הקלטה 035 |
elisha kravitz |
All rights reserved |
678191 |
הקלטה 036 |
elisha kravitz |
All rights reserved |
678192 |
הקלטה 038 |
elisha kravitz |
All rights reserved |
678195 |
הקלטה 039 |
elisha kravitz |
All rights reserved |
678196 |
הקלטה 041 |
elisha kravitz |
All rights reserved |
678198 |
הקלטה 071 |
elisha kravitz |
All rights reserved |
678199 |
הקלטה 072 |
elisha kravitz |
All rights reserved |
678201 |
הקלטה 045 |
elisha kravitz |
All rights reserved |
678202 |
הקלטה 046 |
elisha kravitz |
All rights reserved |
678203 |
הקלטה 047 |
elisha kravitz |
All rights reserved |
678205 |
הקלטה 050 |
elisha kravitz |
All rights reserved |
678206 |
הקלטה 073 |
elisha kravitz |
All rights reserved |
678208 |
הקלטה 051 |
elisha kravitz |
All rights reserved |
678209 |
הקלטה 052 |
elisha kravitz |
All rights reserved |
678211 |
הקלטה 053 |
elisha kravitz |
All rights reserved |
678212 |
הקלטה 054 |
elisha kravitz |
All rights reserved |
678214 |
הקלטה 059 |
elisha kravitz |
All rights reserved |
678215 |
הקלטה 058 |
elisha kravitz |
All rights reserved |
678217 |
הקלטה 056 |
elisha kravitz |
All rights reserved |
678218 |
הקלטה 074 |
elisha kravitz |
All rights reserved |
678184 |
schumann |
elisha kravitz |
All rights reserved |
678185 |
schumann |
google |
All rights reserved |
678187 |
nach und nach immer lebhafter und starker |
elisha kravitz |
All rights reserved |
678188 |
part 2 transition |
elisha kravitz |
All rights reserved |
678189 |
part 2 transition |
elisha kravitz |
All rights reserved |
678193 |
einfach und zart transition |
transition to section 3 (bars 491/505-521) rec. 39- In this recording I played the transition similarly to the way I play the previous one between sections 1 and 2: with a gradual "fade out" release of last chord, a long pause, and an uncertain tempo in the beginning of section 3, still "searching". I'm not convinced it works as well in this instance- as the ending of section 2 is extremely halting and uncertain (including 4 fermatas and 4 ritardandos in the last 15 bars!) perhaps the transition at least would benefit from being more straightforward. rec. 41- here I played a more abrupt release of the last chord and a shorter pause, beginning the next section clearly in the new tempo. This works better in my opinion- section 3 being the most consistently "simple" and melodic of the work ("singing from the heart", earnest through and through), it benefits from being immediately characterized as such. Also, this transition and the one before "Mit einigem pomp" are the only ones with a rest before the following section, implying that the previous chord shouldn't be too much prolonged (and therefore emphasized). There is also no fermata! The change occurs almost instantly, during the rest, emphasizing the contrast between the two sections. Perhaps what holds this transition together is the concealed A to B-flat which closes section 2 and then appears as the upbeat of section 3 (albeit already in the minor key, as we discover when the base G appears on the downbeat) |
All rights reserved |
678194 |
einfach und zart transition |
elisha kravitz |
All rights reserved |
678197 |
einfach und zart ending |
elisha kravitz |
All rights reserved |
678200 |
schneller |
elisha kravitz |
All rights reserved |
678204 |
innig ending |
elisha kravitz |
All rights reserved |
678207 |
mit einigem pomp transition |
elisha kravitz |
All rights reserved |
678210 |
opening |
elisha kravitz |
All rights reserved |
678213 |
rising transitional motive |
elisha kravitz |
All rights reserved |
678216 |
noch rascher |
elisha kravitz |
All rights reserved |