Exposition

Charon as Muse - The Ferrying of Voices in Evan Parker’s Solo Saxophone Music to the Double-Bass as Creative Authorship (2020)

Tom Blancarte
open exposition

About this exposition

The transmission and communication of musical concepts and the ways in which they influence or interact with creativity are central to the ontology of music, but this aspect is rarely tackled head-on by musicians themselves. In language, the typical realm of semiotics and semantics, translation theory serves as an interesting and rich field for investigations into the nature of meaning and communication of meanings. In my research, I propose that the application of various translation theories to the field of music opens up new ways of exploring the “meanings” of music, as well as new methodologies for creating musical novelties. To demonstrate this theory in practice, I have chosen to develop and apply translation theories to Evan Parker’s solo soprano saxophone music and translate this music to my own solo double-bass playing, creating new and original solo music on the double-bass.
typeresearch exposition
date24/01/2020
published04/12/2020
last modified04/12/2020
statuspublished
share statusprivate
affiliationRMC
copyrightThomas M. Blancarte
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/783272/783273
published inRhythmic Music Conservatory Copenhagen
portal issue0. Published research by Advanced Postgraduate Diploma students


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