Exposition

Poiesis and the Performance Practice of Physically Polyphonic Notations (last edited: 2023)

Kevin Toksöz Fairbairn
open exposition

About this exposition

This dissertation commences from the concept of poiesis, informed chiefly by Hannah Arendt’s use of the term in The Human Condition (1958) to indicate a form of creativity married to craftsmanship. This poietic framework will then be used throughout the dissertation to inform a practice-based analysis of the learning process involved with physically polyphonic notations (herein defined as notations of dissynchronous physical actions within a single performative body). Despite polyphonic asynchrony, the unifying performative demands of these pieces are the learning strategies necessary to accomplish this eventual reassembly of instrumental practice within a single, performing body. The following essays will explore the physically polyphonic repertoire of the trombone specifically as a laboratory for problematizing this poietic approach to the learning process.
typeresearch exposition
keywordspoiesis, performance practice, notation
date11/06/2020
last modified09/01/2023
statusin progress
share statuspublic
copyrightKevin Fairbairn
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/827474/827475
connected toAcademy of Creative and Performing Arts


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827480 Front and Back Matter Kevin Fairbairn All rights reserved
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827489 Front and Back Matter Kevin Fairbairn All rights reserved
827492 1_Introduction Kevin Fairbairn All rights reserved
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827537 2_Poiesis in Practice Kevin Fairbairn All rights reserved
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828269 3_Embodied Cognition and Physical Polyphony Kevin Fairbairn All rights reserved
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