Exposition

Curating as graphic design research (2022)

Sara De Bondt

About this exposition

In 2019, I curated and designed Off the Grid, an exhibition on post-war Belgian graphic design at Design Museum Gent. The show included public events (Design Museum Gent, 2019–20) and led to a publication (De Bondt, 2022), all of which have been elements of my practice-based doctoral research at KASK School of Arts and Ghent University. Curating Off the Grid allowed me to define my own research area, namely the investigation of graphic design from a specific country and period. The process also raised broader questions around naming, authorship, and canon-formation, which in turn have enriched my practice as a designer and educator. The curatorial thus became a methodology that allowed me to bring the two sides — my historical research and my graphic design practice — together. In this article, I discuss my engagement with graphic design via the curatorial, and how the latter can be deployed for practice-based graphic design research in and beyond exhibition spaces.
typeresearch exposition
keywordsgraphic design, curating, exhibition, exhibition-making, History, historiography, critical graphic design, design, archive
date30/12/2022
published29/12/2022
last modified29/12/2022
statuspublished
share statusprivate
affiliationKASK School of Arts Ghent / Ghent University
copyrightSara De Bondt
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/974865/1511874
doihttps://doi.org/10.22501/jar.974865
published inJournal for Artistic Research
portal issue28. 28
external linkhttps://occasionalpapers.org


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