Research Catalogue

research expositions

• 
  NEPTUNE PROJECT: Transforming Personal Narrative Into Political Statement in an Autobiographical Play (2023) author(s): Vera Boitcova published in: University of the Arts Helsinki
  This thesis explores the ways in which personal narratives in dramaturgy can be read as political statements on the example of creating and staging my autobiographical queer play Neptune over the course of two years (March 2021-March 2023). My research questions include: - What circumstances can evoke a creative desire to transform personal into political through art mediums? To what extent performance art can be effective as a tool to convey political messages? - How to convey political messages through personal narratives in dramaturgy\playwriting? What makes a narrative political and what can be defined as a political narrative? What does ‘being political’ mean specifically for a queer artist\dramaturge? - What methodology, aesthetical, directorial and acting choices can be made to further enhance and underline political message of a documentary narrative, specifically in queer context? These questions will be examined in a detailed account of writing my own autobiographical play Neptune in the year of war and strengthening of oppression in Russia, and subsequent staging of this play. My play had three distinct layers: meta-level (where the narrator talked about her recent political experiences in the year 2022), memory level (subjective memories of a lost love), and fictional level (different characters acting in thematically-relevant vignettes). Therefore, I want my thesis to be reflective of the same structure: it will have three main chapters - Meta, Memory, and Fiction – with the overall reflection at the end. Overall aim of this thesis is to trace the process of creating an autobiographical play from its creative conception (and reasons behind it) to turning it into a theatre production, and by doing so, to examine if it succeeded in its initial goal of conveying a certain political message, and if so, how this result was achieved.
  open exposition comments (0)
• 
  HOME (last edited: 2025) author(s): Vera Boitcova This exposition is in review and its share status is: visible to all.
  HOME is part of Vera Boitcova’s ongoing doctoral artistic research that explores the notions of home and belonging within queer migrant dramaturgies. Expanding this inquiry, Boitcova brought together four queer migrant artists currently based in Helsinki to reflect on themes of displacement, absence/presence, and the complex meanings of belonging. The project consisted of four workshops designed by Boitcova to methodologically experiment with the languages of queer migrant dramaturgy. These workshops aimed to create a space for collaborative experimentation and exploration, where participants could test how personal practices and lived experiences might be translated into shared, performative forms. The sessions also facilitated the discussion of artistic methods and ideas related to home and belonging among fellow queer migrant artists in Finland. The participating artists were selected through an open call posted by Boitcova in March 2025, with selection criteria emphasizing the specific focus of the project (exclusively for queer migrant artists) as well as the artistic merit of the applicants. The outcome of the workshop series was the creation of five individual, site-specific, performance-based works presented on Suomenlinna Island in and around HIAP Gallery in June 2025. Each piece responded not only to the physical and symbolic context of the island but also acted as a form of cultural translation, transforming personal and collective experiences of displacement, identity, and belonging into performative language. The second outcome was participation in a group exhibition at the same gallery titled Unfolding Island Ecologies, which featured video documentation from the creative processes behind each artist’s work. This exposition presents materials created and collected during the workshops leading up to creation of the performances. It documents the ongoing effort to develop a performative language capable of expressing queer migrant narratives centered around the concept of home. It attempts to capture dramaturgical methodologies-in-progress and the process of translation of personal artistic practices into shared experiences. The exposition is structured into five sections: brainstorming exercises, workshop designs, artistic tasks, writing prompts, and reflective texts. Each section was designed to highlight different methodological aspects of the process and to offer multiple perspectives on this exploration.
  open exposition comments (0)