This chapter discusses how the technology of the Research Catalogue engages with the notion of 'exposition'. In particular, it looks at the repository, where a distinction is made between works and simple media, as well as 'the page' that is literally only created as it is populated with data. A final section looks at both sharing and publishing workflows, which represent elements in the way the Research Catalogue engages with social media.
type
article
keywords
artistic research, research catalogue, layout, design, writing, rich-media, expositionality
