Monoliths, 2013 – ongoing, size noted under each image.
The nature of desire and ways post-modernism was a reaction to modernity motivated these works. Forms in water and terrain are used to create visceral imagery engaging in viewers subjectivity. The aesthetic relationships appear at first glance as mirroring, and with longer looking nuanced differences. This type of individuation is engaged by the scale of the prints
demanding the viewers confrontation with projection based on ideology with what is observably here.
