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For a Future of the Face: Faciality and Performance in the Dance of Marlene Monteiro Freitas (01/11/2019)

Lucia D'Errico

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About this article

typearticle
keywordsMusic Performance, dance, Marlene Monteiro Freitas, Deleuze, Guattari, faciality
copyrightLucia D'Errico
referencePaulo de Assis & Paolo Giudici (eds.). 2019. Aberrant Nuptials: Deleuze and Artistic Research 2. Leuven: Leuven University Press
year01/11/2019
publisherLeuven University Press
external linkhttps://lup.be/products/125968