This paper provides an overview on the concept
of musicality in fiction cinema language, understanding
the comparative analysis of both art
forms and considering cinema as a potentially
musical construction. Furthermore, the examination
of polyphonic musical textures and its
methodical application in the formal analysis of
Lucrecia Martel’s cinema (namely in her 2007
film The Headless Woman) provides a new perspective
on the aesthetical values of the Argentinean
filmmaker’s work with sound and image,
which unveils other forms of assuming fiction
film narration.
type
paper
copyright
IJFMA 2018 (by-nc-nd)
year
30/12/2018
country
Portugal
place
Film and Media Art Department/ Lusófona University
