Temporal omissions can be found in the most diverse manifestations of various genres and film cultures. However, the ellipsis as a narrative tool has seldom been addressed in film theory, and when it has, it has tended to be treated in a manner of purely instrumental qualities of skipping the unimportant parts of a plot, to cover vast stretches of story time or as a pure mean of scene transitions.
type
paper
copyright
IJFMA 2018 (by-nc-nd)
year
30/12/2018
country
Portugal
place
Film and Media Art Department/ Lusófona University
