Terrence Malick’s Voyage of Time puts the latest technology into the search for the oldest images we can think about, those of our origin. Taking this paradox as a starting point, we will explore precedents of visual effects in science documentaries and their role in Malick’s particular quest for wonder. Are VFX capable of truth?
type
paper
keywords
Terrence Malick, Science Documentary, Visual Effects, Computer Generated Imagery, Truth, Digital Aesthetics, Film Studies
copyright
IJFMA 2018 (by-nc-nd)
year
31/10/2018
country
Portugal
place
Film and Media Art Department/ Lusófona University
