We report on the conception, production and delivery of the live music, live performance, 3D animated project She’s Not There that opened the CILECT congress in Brisbane November 2016. We discuss the operations of the virtual camera in framing the virtual 3D space within the real space of the theatre stage. We muse on this Mixed Reality mode within the context of Goudal’s conception of cinema as fostering in its audience a ‘conscious hallucination’ (1925); the appeal of our project is contingent upon the audience being able to view outside of the frame while enjoying the fantasy within, to knowingly invest in its illusion.
type
paper
keywords
Mixed Reality, virtual camera, motion capture, 3D animation, Mixed reality
copyright
IJFMA 2017 (by-nc-nd)
year
28/11/2017
country
Portugal
place
Film and Media Art Department/ Lusófona University
