Variations by Erika Matsunami

After the corona pandemic in 2020, this artistic research in "Variation I" was started by the initiative of Lukas Huisman in Belgium, which focuses on the topics of the 20th century, on Corona (1962) by Toru Takemitsu. Multi-layered open score Performance in the site-specific installation (in the real space). Variation I Variation II Variation III The research on post-post minimalism (such as difference and repetition in post-structuralism, as the philosophy of difference, as post-structural feminism*) is about exploring the research method, that is not about the art style. There are no target and no points for the score, rather on vagueness in the research. *A contribution of this branch, was to argue that there is no universal single category of "woman" or "man". (In the works)

In Variation II, what I am exploring, neither sheet music nor improvisation, but rather an artistic method of "translation" for a performance.

My hypothesis for future performance in the enactive system for a new assemblage is, the computer will analyse, human(s) will translate as a performance.
It might be possible for an assemblage. Thereby the data is a "space and time".

This question is for an unusual collaboration.

-My answer is: a new approach for overcoming of the conventional music genre and research method, e.g. in terms of transdisciplinary research, which research method has not the aim of the computional know-how, but rather in which is based on current knowledge practically and theoretically.

What sites of intersection provide promise for collaborative research between music theorists, musicologists, and performers?

Joint Artistic Research Variation II

In the works until July 2021

Keywords: semi-formalism; transversality; transculturality; perception and consciousness; communication; sonic and visual space

Artistic techniques:

Transposition

-> Artistic Research "Silence surrounds us, silence around us" (2021)

Translation

Metaphor

-> Cognitive linguistics

An event is transformed into a figurative condition. e.g. into musical compositional system, or visual compositional system on a two-dimensional surface or three-dimensional object.

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