After romanticism in music composition, in contemporary music "pure music" means the computer music, that sine wave as well as radio wave is managed by the composers and/or performers generally. How people can perceive this music through the loudspeakers. Thereby the computer and the loudspeakers are the sound source. Today there are many devices to listen the sound wave for the creating music.
The starting point of the artistic research Variations is "Corona (1962) for pianist(s) by Toru Takemitsu, that is a multi-layered score for clavier(s).
My idea on wind was in the sound for the video transformation#1 and #2, it was a sound collage (composed) through the recorded surrounding noise for creating a narrative from real occasion (sonic arrativity). It was made up a new sound sense for the video more than designed sound, which we can buy the CD, generally it is called ocean and wind sound.
Gye-joon's idea on wind in his current video work is at the visual level, and his artistic approach is metaphisical toward post-materiality and its society.
Max's idea on wind is neither materiality or post-materiality, as well as not the traditional way of Pythagoras. He developed his unique idea and its system for his installation and music performance. He is not one of, it was a kind of cultural wave in the UK, is sympathetic for Asian culture.
Randomness in Schoenberg's and its reflection
Reflections on Schoenberg, George Rochberg
-> There is the sound composition piece in the project of Rasenjo no Jikan - deflection by Antonis Anissegos and Niklas Schmincke, was from my request "The sound of the wind 100 million years ago" for the video installation. I would like to introduce this sound together with the video installation. It was composed from their image, but it is an interesting sound composition piece. The sound is very far from the moving image, but it is crossed in the sense deeply, which is in terms of cognitive linguistics. We mentioned these works of art by OIO as a visual- and audio poem.
Between 1 and 2 is infinity, between each number is infinity. MA is in-between, so we can explore it profoundly. In this artistic research, the research addresses the subject from two perspectives, one is European and another one is Asian literary. Thereby the gaps are between natural science and literature (art and humanities).
Philosophy vs. Mind in the Western Traditional Music and Western Contemporary Music from the point of Non-Western in the music, was started from the 19th century to the beginning of the 20th century.
Current tasks of the instrumentalists (performer) as knowledge are embodiment, enact, and so on. Therefore, I have three different aspects in each artistic research of Variations.
Today's philosophy is such as philosophy of mind, empirical philosophy.
This historical high art such as church music is the ethnological arts of the world cultures today. That is the same in Japan also. -> Anthropology
The art today is the contemporary art mainly. And contemporary art includes Non-Western art.
-> If I mention these problems of harmony in music briefly, that is nothing to hear of any musical contents in modernism. Probably, it is for a sort of mood. In Schoenberg's generation, film production was started, so musical expression and its recognition would change. - Sociology in music
Schoenberg's problems were the conflicts such as between Catholics and others, as well as Judaism. - Cultural xenophobia (It is a complex issue, such as When arguing in terms of fiction at the level of truthfulness between different cultures. For example, a controversy at the level of whether the saviour will come or not. Is it true or not? In my interpretation, the saviour is the metaphor of great knowledge, which is heterogeneous in homogenous. In the fact historically, it was the launch of a new civilisation of humankind in the new age. How is different two stories (fiction), in my interpretation, one is "X" where, for going back to the future (going back to the origin of human nature in fiction), another one is, at the end of humankind, "X" will come for future (hope), are from two different perspectives?
The issues of capitalism are contracts, rights and guarantees, how variables "x" would be calculated into value "y". It would be unfair in the law of tradition, due to traditional formalism as the law. Thereby the question is for human-right and human-being. The idea for the value "time is the money" (such as the idea "money is worth, save time, and makes more money.") in capitalism as an aphorism, was like slang in modernism, and it is not the knowledge. - The gap between knowledge and sub-culture.
Harmony refuses to be broken its perfect form, which was mentioned homogeneous and pure. - Aesthetic competition
-> I explore my research Variaitons in the artistic research "Silence surrounds us, silence around us - X" for the transforming into the knowledge practically and theoretically. In doing so, step by stepy, I will issue it as an artwork (the contribution). -> the representational theories in the arts.
An artistic approach for post-feminism. -> Soundpainting composition system and its performance
Nechvatal's robotic arm painting is the "noise" (for a viral concept of time and space without body) sound painting using AI, is a continuation of surrealism. His painting brush level is probably a (under) dot level, in oder words, how the world consists of elementally. Maybe it's as small as a cell, as active as an activity, and it will take some time before it becomes for us a visible "image." -> Using noise sounds as the concept of painting. -> Generative art
We cannot generate everything with the computer, which is an issue in visual arts currently, especially for "colour" digitally, as well in sound.
My idea is different from his idea, which is rather based on Bauhaus's. such as by Itten. - Transforming from colour to timbre, for the musical modes.I explore a visual score for the describing of a musical mode in music and visual arts. -> a continuation of Klee's on Sound. Practically, I started to work with a german Cellist Krischa Weber. She is also a teacher for the cello and she can teach the Suzuki Method for beginners.
Nechvatal's idea is also toward post-feminism.
Question for biological gender and social gender in the social context of the 21st century.
-> What is male sensibility in art? What is female sensibility in art? What is masculinity in art? What is feminine in art? Is that important for art and in art?
Probably, there are perspectives from females and males at the individual level in the arts within the social context. But there is no expression of male and female in art because there are no second and third personal pronouns in art, second and third personal pronouns in the art are objective.
Is it the law, blue is the color of boy and red is the color of girl? it was the idea in the context of patriarchy education in modernism. Today's education has no gender difference. So, there are many professional females Military personnel.
The original idea of feminism was based on "against sexual violence". People have the right to participate in society, regardless of gender, is based on human-right.
This collaboration with Krischa is not by chance. I knew her work before. We worked in a symposium program at a nonprofit Gallery, which was a part of the program of an academic event in Hamburg, was organised by this nonprofit Gallery in 2015. It was through the German women's council.
I was invited for a presentation on my project and research.