Space composition II for *Green x *(2022–)

Study for geometry: the stereographic projection and the gnomonic projection

Subject: projection and reflection

Subtheme: Visible and invisible space and their space in between

Leitmotifs: near and far

How did he solve the enviromental issue of projection and reflection in materiality and environment?

- Three-dimension in "High" and its weight and form

- Time and body (biological movement) in space

- Communication between space and space

Topology is the mathematical study of the properties that are preserved through deformations, twistings, and stretchings of objects. Tearing is not allowed.

**Geometry** (from the Ancient Greek: γεωμετρία; *geo-* "earth", *-metron* "measurement") is, with arithmetic, one of the oldest branches of mathematics. It is concerned with properties of space that are related with distance, shape, size, and relative position of figures.^{[1]}

I am exploring the techniques of schablone and assemblage, the question is in mechanics, includes material and its character, as well as environment includes gravity. Thereby collage technique does not apply. (I showed the description for this draft to an architect, I think that he understood my explanation in the terms of artistic techniques of schablone and assemblage. - a collaboration between fine arts and architecture which relates to topology and geometry with the material on the subject of "projection and reflection". Because he gave me back this description with a sentence. His role is for functionality critically, and my task is for Gestaltung/design in the social context critically. - Space, Time and Body) -> In the case of the theory of topology, for example, to deformed a non-shrinkable metal plate, usually assembled as a body. In the new technique for the deformation of a non-shrinkable metal plate today. -> spherical form

-> From a 21st-century perspective, I agree with his theory *of Substance and Function* Einstein's theory of Relativity [Cassirer 1910]. So I have been explored it with artistic mediums practically. And instead of "the mathematical theory of relations" I explore "relativity". Artist, we don't need to create an object absolutely, such as a designed robot. What we artists create, that is a fiction. Even if a sculpture, a three-dimensional object, that is a fiction. So, it originated nonsense-art by DADA, which was critical toward the philosophical empiricism.

-> **History of design in the espresso pot (moka pot)**

**- Maquette**