Mac Cumhaill, Clare, “Specular Space”, Proceedings of the Aristotelian Society, vol. 111, 2011, pp. 487–495.

Thagard, Paul, Brain-Mind: From neurons to Consciousness to Creativity, OUP, 2019

Nalvantian, Susanne, Matthews, M. Paul (edit), Secrets of Creativity: What Neuroscience, the Arts, and Our minds Reveal, OUP, 2019

Wijdeveld, Paul,  Ludwig Wittgenstein ArchitectCambrige, Massachusetts, London: The MIT Press MIT Press, 1994


Wittgenstein, Ludwig,

Wollheim, Richard,


Von Wright, Georg Henrik,  The Varieties of Goodness, London: Routledge & Kegan Paul (New York: Humanities Press), 1963





Reference for Home (at) Home (community and artistic activity):



I can read these from this website of Humanhotel. Of course, I knew Martin Rosengaard and wooloo in 2007, they were the curator of a festival in Berlin, which I participated with OIO for performance and artists talk at their project space in Berlin. Which subject, I can better to deal more than in German idealism.  I have more experience (Existentialism, Positivism, Contemporary feminism, and Poststructuralism) in those contexts in post-war. Because life was not ideological in our generation in Japan and the Western countries, was generated knowledge. I studied the arts at the UdK Berlin, thereby the guideline of the Philosophy in my generation during the 1990s was not German idealism. And my speciality is meta-semiotics of visual and auditory in the arts. That is an impostant study in the art. -> audio and visual poem

Atherton, Margaret; Hecht, Heiko; Schwartz, Robert (edit), Loking into pictures: An interdisciplinary approach to pictorial space, Cambrige, Massachusetts, London: The MIT Press, Massachussetts Institute of Technology, 2003

The issue in contemporary art is the imitation of artistic projects, for example, by right-wings for their networking.

Other examples are the imitation of artistic activism, artistic intervention, music, video, animation, game, comic, etc, by right-wings (their ideology and propaganda), but as well as including of the left-ideology.



Model x between tradition and modernity in the contemporary art

I research at the post-doctoral level, but I never say that I am a post-doctor. I never self-evaluate, as well I don't want to evaluate others abilities. It is better for me, that AI does it. However, there is the report of the third party from different aspects.

Their (humanhotel's) challenge in 2021, that is through the (artistic) activity, "How much they (people) can save the money and the substance worldwide", I found that is great. I am surprised about their Danish art project always, for example, this project Humanhotel addresses the topic in the context of humanity and art. But it requires for creating the content of the project as a whole is a big challenge day by day and it depends on the participants. That is the point of the contrast with German idealism in Germany. -> (Danish) Existentialism

This artistic project "Humanhotel" by wooloo is original (not an imitation) and unique, I will be able to write a review. (I interviewed (questioned for) Martin Rosengaard, (wooloo by the curators collective) in artistic research "Silence surrounds us, silence around us"_Page: Home (at) Home in 2020.)

Bertrand Russell, THE PROBLEMS OF PHILOSOPHY, 1912


Bertrand Russell, Ethics

->For this reason against fascism and racism, I started to explore uniqueness in humanity and art from the biological aspect, which account will against the ideology in the 21st century critically.

Thereby gaps are,

From my point of view is, this issue was originated from the educational method of applied arts and their "generalized" degree of the Master of Art. The issue of the industrialized educational system and its globalization. Such as "How to" make it method and how to understand quickly its tool and parts, which is constructed by an individual. This itself is not knowledge, maybe a hint of. People call it "useful". However, which looked at many were wrong in the specific subject, it is better do not to believe all of them. It's up to the content or technical issue and its solution. Thereby "wrong" or "misreading" is not something, but also not bad toward a pretext (Ausrede). and it is better than "pretext (Ausrede)", such as a perfect imitation. So, I make a natural error, because I am a human. Technology is for humans, not for perfectionism and not for automatic totalitarianism.

In reality, I don't think that it's easy, it requires studying for the long term.
I call it a part of "industrial automation", not creative and autonomy.

Evaluation and Self-evaluation on You Tube

Designing the Self in Makeup Tutorials, in: Cecilia Suhr (Ed.): Online Evaluation of Creativity and the Arts, London/New York: Routledge, 2014, pp 95–111

Ramón Reichert

The New Left (Academic new left), feminists are also conventional and not creative (then, for me, it is better to read their papers, not the art in artistic research*), but those people (curators collective) in the young generation are very smart for everyone.

I have been mentioning not (oriented for/on) right-wings and not (oriented for/on) left-wings, but rather to create "something".

*Professors in the new media art, who have no principle scientific knowledge, most of them are conventional and decorative (using technology), thereby no meaning is "nichts" or "something", which refers to or towards Heidegger's. -> today's feminist art

I/we as an artist/artists work on towards complex system, not create the symbolic object, as well as Materiality, including digitality, environmental, and so forth.I/we need the ability of flexibility, but in the context of Kant's "Critique of Pure Reason*" which is not pre-text, even if the analytical philosophy, it is very important. It makes probably the capacity (in the brain, way of thinking), which is opposition towards the automatically defiant (as a character), is a way of thinking profoundly.

* "Critique of Pure Reason" is an open account, today is after post-Kantian. I call it the after 3rd generation, far from German idealism. By the logic of "Critique of Pure Reason", the reader (such as AI) can understand what the writer (author) knows or/and not know (Not imitated comprehension-ability is required), so I understand the AI analysis, and the AI will search the potentiality of the writer's (author's). Even comics and satire can be intellectual art, thereby art style (looks) is not important. There is no model and category that this is intellectual art.

"Critique of Pure Reason" is important in German culture,it is quasi against pretext (Ausrede). Within the non-human society in the digital age after the corona pandemic, it will be important more and more in Germany. Otherwise, one cannot appeal the contradiction to AI.

Tractatus Logico-Philosophicus

Logisch-philosophische Abhandlung


With an Introduction by





-> YouTube online evaluation: Practical tips are useful. The lecture series by the academicians and scientists, I can compare to the different analyses. But I have no time to spend the whole of my private time with YouTube. As well as Facebook, in social media, there are systematic valuations and payments. Self-knowledge of others, it won't be "references" of anything at this moment in the digital culture, probably, 0.001 cents by each klick by the commercial valuations. Users payments would be their income, but that value is like the Universum. Thereby there is global economic competition as a fashion. But I am thankful for some important information, as well as documents and excellent editing of video on the specific subject, for that, we need a really high budget. At this moment, I don't want to give any evaluations of online streaming. The world is wide, and I am watching while confirming that different people are alive. I think there are tricks, various encounters, and chances.

Simone de Beauvoir was radical as a woman and as a feminist

Marcel Broodthaers, Poet in the Pop Trap. Archival Notes on an Artist’s Narrative

Oxford Art Journal, kcab012,
13 December 2021


I, too, wondered whether I could not sell something and succeed in life. For some time I have been no good at anything. I am forty years old … Finally, the idea of inventing something insincere crossed my mind and I set to work straightaway. At the end of three months I showed what I had produced to Ph. Edouard Toussaint, the owner of the Galerie Saint Laurent. ‘But it is art’, he said, ‘and I will willingly exhibit all of it’. ‘Agreed’, I replied. If I sell something, he takes 30%. It seems these are the usual conditions, some galleries take 75%. What is it? In fact, objects.

—Marcel Broodthaers1

->I think that "knowledge" currently being discussed at the international level in the artistic research of the art academy is a guideline, how to teach, study, research, and judgement for the acknowledge.

A priori and a posteriori

-> Poststructuralism

Queer Sites in Global Contexts
Technologies, Spaces, and Otherness, Routledge, 2020

"Queer Sites in Global Contexts showcases a variety of cross-cultural perspectives that foreground the physical and online experiences of LGBTQ+ people living in the Caribbean, South and North America, the Middle East, Europe, and Asia.

The individual chapters—a collection of research-based texts by scholars around the world—provide twelve compelling case studies: queer sites that include buildings, digital networks, natural landscapes, urban spaces, and non-normative bodies. By prioritizing divergent histories and practices of queer life in geographies that are often othered by dominant queer studies in the West—female sex workers, people of color, indigenous populations, Latinx communities, trans identities, migrants—the book constructs thoroughly situated, nuanced discussions on queerness through a variety of research methods.

The book presents tangible examples of empirical research and practice-based work in the fields of queer and gender studies; geography, architectural, and urban theory; and media and digital culture. Responding to the critical absence surrounding experiences of non-White queer folk in Western academia, Queer Sites in Global Contexts acts as a timely resource for scholars, activists, and thinkers interested in queer placemaking practices—both spatial and digital—of diverse cultures."





Regner Ramos is Associate Professor of Architecture at the University of Puerto Rico. His research on the relationship between queerness and space is informed by experimental research methods, shifting between model-making, drawing, and performative writing. He is the Editor-in-Chief of informa journal and the architecture Editor at Glass magazine, and Co-Director of Wet Hard Agency. His current research project, “Cürtopia: Queer Maps for Puerto Rico”, is funded by FIPI.

Sharif Mowlabocus is Associate Professor of Communication and Media Studies at Fordham University. He is the author of Gaydar Culture (2010) and his forthcoming book, Interrogating Homonormativity, explores the British gay male culture in the ‘post-equalities’ era.


My current artistic approach is art is not mainly on a two-dimensional surface, what you are seeing. Art must be unconventional.

I overcame the generation of postmodernism in post-war. (Postmodernists in the art, they mentioned and at the same time, they were against the attitude of "Artist must be intelligent" (metaphysical is equal philosophical).)

I overcame the generation of postmodernism in post-war, that is usual, and it must overcome. Our life is generative, otherwise, life means conservative, is on a way of fascism. Even theology is generating in terms of philosophy of science.


Equations without answers/phenomenological, unlimited, relativity and with answers/for calculation

AI and Sensors

Hardy spaces

In mathematics, a holomorphic function is a complex-valued function of one or more complex variables that is complex differentiable in a neighbourhood of each point in a domain in complex coordinate space Cn. The existence of a complex derivative in a neighbourhood is a very strong condition: it implies that a holomorphic function is infinitely differentiable and locally equal to its own Taylor series (analytic). Holomorphic functions are the central objects of study in complex analysis.


(z) = ∑a  z


The limitation of Martin Heidegger's* in phenomenological philosophy as the metaphysical expression in German idealism

Today, we know about space, time and body more than in his thesis.

*Heidegger put forth a broad array of key tenets within his phenomenological philosophy. These tenets include the concept of being, being in the world, encounters with entities in the world, being with, temporality, spatiality, and the care structure. The discussion presented here focuses on his conception of Dasein. -> Human centred idea



∑ (Summation)





-> Computer programming language

for ($i = 1; $i <= 5; $i ++){$sum +=2* $i - 1;}


(2i - 1)

= 15

= 25

The issue is not only with Heidegger's as well as with Hegel's in phenomenology within German idealism.

What is unconventional in the arts?

What do you see (in) an image on the online catalogue, when you click this link?

If you will answer "I see a face of a man", it is a stupid level.

There is no answer. Please write as you see it.

The intellectual development of human children is longer than that of monkeys, although it has a long life span due to its large and capacity for the brain.

Practically, my task is reading an archive


I don't know as an artwork its value, but there is no "wrong" (I mean that is to use the term in the wrong context intentionally, "It seems as" - effect.).


I have read, now I write a draft of the logic of mete-ethics, thereby the question is "normative". -> Olivine - a new notion in a sentence

The first step, I deal with “Tractatus” - logico of philosophicus by Wittgenstein's.

My artistic project in this artistic research is Olivine - a new notion in a sentence

Inhabit(ing) and Habit (for and on time-perception)

There are two differents projects and video-works.

A meta-ethic model on Openness in my artistic research is based on the contemporary law and its context

A meta-ethic model on Openness from different people

In this archive, there are many different artistic research works, PhD students, their artistic researches are in the guideline (in postmodernism) of study, which is the type of mimesis. I know those types of artworks/art projects already, not specific.  So I mixed the type of their queues and (most of them are stereotypes of artistic uniqueness) commons. In finally, I understand, the main aim of this archive is attention to a new type of artwork, which is not an object, but rather research on uniqueness and explore it in art. For me, it is interesting in their private works without art academic guidelines (in postmodernism) more than in archives.

For me, postmodernism is enough..., especially in the context of German idealism, or other Idealism, or Brahms in Romanticism in which terms of the Western centrism in art, it is the same, whether it is post-colonial or not, they are in the context of colonialism (the Western ideology) more than 500 years.

For example, we can see in this archive, if it works in the context of Aristoteles, there is no problem with the communication between Arabic culture and European culture, as well as with the Jewish culture. The problem is the God(nes) centred culture of each culture and their justice between them. That is the authority and the centre of colonialism, as well as the intervention of each other.

Openness, let's study!