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In my artistic research project Sounding Numbers, I investigate the creation and application of data sonification as sounding materialities for contemporary electroacoustic compositions and participatory sound installations, through my own aesthetic universe. In Sounding Numbers, I take on the role of a researcher, composer, and performer. My research process and artistic outcomes are shaped by my passion for climate change and cosmology, community empowerment, and the potential role of the arts in dissemination and engagement within these spheres. In this exposition, I explain and portray Sounding Numbers by unveiling my process and framework through a descriptive and reflective analysis, the project's contextual placement, and a portfolio of Sounding Numbers' artistic outcomes.
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