Automatic (automatisation of nature) is stable actually. (Reduce of the drwaing informations, Choherence, Technically there was no additional etching.)
The subject of this image is on the topic of topological space. This is deeply meaning of this image, actually, it was beyoned of. In this image, the attention of viewer is focused on the form precisely. – What is a form, which is dynamic? (Japanese calligraphy as a design)
Lithography Series (2023–)
o.T._#01, 2023, 36 x 45 cm, 3 Edition, 1 AP
On Paper (35 x 46 cm, 36 x 46 cm)
Crystal structure of silver halide
About the beauty of nature
Etsuo Fujii, Eary 1960, Japan
->From threefoldness to multi-foldness, On time, space and body
still/silent 2007 - 6 ch sound for the installation by Erika Matsunami and Niklas Schmincke, Performance by Antonis Anissegos and Erika Matsunami, GlogauAIR, Berlin, 2007
What is 'automatism' by the nature or the rule of the nature?
Nature has a law of returning from an active state to a resting state.
We need to have both states, stable and interventional in and out for our human development. – For human capacity, i.e. elasticity
Art studies in the context of character (literary)-centered visual arts
I explore therewith, not semiotic, but rather semantic.
Recently, It is analyzed the sentences (my writting) by artificial intelligence. What I am aware of is the reader.
My text has three patterns.
One is understood by those over the age of 16.
Second, university or above
The third is university graduates or above (for researcher). Therefore, I need to explore the character (literary)-centered visual arts practically. Theoretical exploring is more for the thesis.
A notice:
I write about emulsion and polarity, which applies to drawing on stone (lithography), as well as photographs, and also drawing on paper (in mixed media)
Laut Diamond sei es jetzt Wittgensteins Auffassung von Philosophie, dass das komplette philosophische Vokabular auf diese Art ersetzt werden müsse. Das bisherige philosophische Vokabular sorgt für Verwirrung und muss deswegen analysiert werden und durch eine eindeutige Notation ersetzt werden. Wittgenstein versucht also mit seinem Tractatus zu zeigen, dass diese Perspektive, die versucht Eigenschaften der Realität durch die Analyse der Sprache zu entdecken eine Illusion ist. Sätze die aus ihr folgen sind nichts weiter als reiner Unsinn. Wittgenstein schreibt: „Jeder mögliche Satz ist rechtmäßig gebildet, und wenn er keinen Sinn hat, so kann das nur daran liegen, daß wir einigen seiner Bestandteile keine Bedeutung gegeben haben. (Wenn wir auch glauben, es getan zu haben.)“ (TLP 5.4733) „A ist ein Gegenstand“ ist Unsinn weil er eine Notwendigkeit behauptet, als ob sie von bestimmten Wahrheitsbedingungen abhängt. Wenn Sätze wie „A ist ein Gegenstand“ Unsinn sind, dann nur, weil wir einigen der Bestandteile keine Bedeutung gegeben haben. Der Begriff „Gegenstand“ der in der üblichen Sprache als Variable fungiert, wird hier in einer grammatikalisch komplett anderen Weise verwendet, der wir keine Bedeutung gegeben haben. So entsteht die Illusion wir hätten einen sinnvollen Satz gebildet.
https://www.grin.com/document/195950
Zufall and physical Authenticity, its onceness on stone.
In art, this is not that I "expressing" an image in my mind, but that I "manage" ("bedienen" in German)" the materials, including stone, through my artistic correspondence to what actually happened.
This artistic act is similar to Klang-Kunst.
My (artistic) research objective(s) is/are, how I solve this research issue i.e. pollution and coexistence (environment) and transform into something– Aestehtics and Ethics are one–Wittgenstein
I explore thereby the artistic research method and share it with the SIG (I am an active member of two SIG, one is the topic of spatial aesthetics/virutual<->physical, in music, visual arts and media art include paerforming arts/EU and UK, and another one is the topic of contemporary art in music, visual arts and media art include paerforming arts/global south) in SAR (Society for artistic research) internationally.
This artistic method is might be possible to explore in the contemporary art today.
The aim is to explore 100 editions of the original in the series.
Then, it will be the level of the research by Dogen, and its volume 100.
Transformation: Image of Natural phenomena (Notation in my work of art) -> Imagination -> In my artistic activity: Sound synthesis -> Spatial installation -> Performance
#ecology, # coexistence, #transversal aesthetics, #naturalphenomena, #nature
art-without ego originates from an idea of Klang-Kunst, its origin was from natural science.
#ecology: It addresses here, e.g. oxidant, materials and environment.
Photorealism in painting is not 'mimesis' in the arts.
For example, "trompe l'oeil" in classical fine arts
紅白梅図屏風
尾形光琳
江戸時代
National treasure of Japan
Korin Ogata
Edo Period
18th century
In Synapse, I explore nano ethics practically.
Ethics and Aesthetics are one – Wittgenstein's
This 'Ethics and Aesthetics are one' is a very complex transdisciplinary research. It is the similar to the research question 'What is life?'. Also, It requires to slove this research question 'What is life?', which requires to address to the environmental. Thereby, the research question is 'What is the space?'. So, we cannot ignore Einstein's theories.
In 2011, a scientific survey was conducted using a digital microscope, a portable X-ray fluorescence spectrometer, and a portable X-ray powder analyzer. As a result, we were able to confirm that gold leaf was used for the gold base that occupied the entire folding screen. In addition, silver remained on the entire surface of the water stream, and silver sulfide was detected in the black portion.
Historical background:
The first European to arrive in Japan was the Portuguese in 1543.
After the Portuguese and Spaniards imported guns and gunpowder to Japan, industrialization began in Japan as well. During the Warring States period and the Azuchi-Momoyama period, Toyotomi Hideyoshi's policies led to the samurai rule, including the taxation system for agriculture. This picture is from the Edo period, water pollution and crops were one of the causes of his famine.
In Klimt's case, the expansion of warfare and starvation caused by modernization and industrialization depicts the morals of the faith that "love" saves, and the gap and system (sociality of the time) of (globalized) modern life.– modernity and gloablization
Both works of art were actual. – Authenticity of art and its actuality
From Royal territories to Nation territory
Colonialism (Capitalism is anot a new economical idea and concept. Capitalism in human civilization has been implementing since more than 2000 years historically. (Since the beginning of 'economy' with the money.) The only way to fundamentally change capitalism is to eliminate circulation based on the value of money. Nobody has the idea for a new economy system without using the money worth.
From the regional capitalism to the global capitalism
Since then, internationalized national terriroty
Rhetoric-> confusion of love (from life)-> aesthetic intervention -> Joseph Nechvatal on the subject of 'Darkness' and Viral aesthetics (from death) -> Nonsense and Emotion
On Klangfarbe -> Soundsynthese -> Ethics and Aeshtetics -> Martin Supper (...) -> Logic (and Unlogic), and Randomness
Although there are various methodologies of artistic research,
The field of art is also to explore a new (aesthetic) value.
Artistic research is therefore very important.
Leitmotif -> Light including reflection -> Max Eastley on the topic of 'Wind' -> Environmental Uniqueness
The sound composition is noise for this image. Thereby the sound synthesis as well as (algorithmic) for the composition is the art representation, that is trans-media.
The next step is, I transcode this image to the motion, that is the art representation. Thereby, I need to explore programming (in computer science) or using animation. (using the animation of line, I did in the project 'still/silent'.)
Composition in the post-conceptual era:
Joseph Nechvatal
https://pentiments.bandcamp.com/album/the-viral-tempest
The Viral Tempest
von Joseph Nechvatal
I am dealing with transversal aesthetics and exploring Japanese aesthetic Wabi-Sabi, but in a contemorary context.
Because everyone is obsessed with style (by How to create Japanese Wabi-Sabi learning) and not essential.
“Wabi-sabi” aesthetics solved this pollution problem at that time, however, not only through the art, it was an exploration by Dogen (Zen) basically and literally (in Ethics). In the Dance-Theater, it was by Zeami (in Aesthetics). The art was important for the practical exploration and civilization from the socio-political critical aspect. – The matter of art, and its correspondence
Japanese painting was not an idealist format, but rather epistemological through the natural phenomena. Later, it was explored a socio-political aspect in the art. (A misreading of Japanese painting by the Western in Idealism, that was on 'Love'.
In the Western, Love by/for God in arts and humanities; in the Japanese, on Human love, Life and Nature in arts and humanities.
Love is an (maybe the most) important topic of the high art in the Western fine arts originally.)
This painting 紅白梅図屏風 is a critical towards human civilisation (on materiality and its procedure), i.e. observation on the ground (earth), site-specific, water pollution.
Drawing 'dream' in surrealism is also an observational artistic act in nature (including human nature in the environment.)
not dimentional space and time, but rather time in(to) time, space in(to) space.
conjunction between them
"There's this huge gap between reality and its possible representations. And that gap is impossible to close. So as artists, we must try different strategies for representation. [...] [A] process of identification is fundamental to create empathy, to create solidarity, to create intellectual involvement."
Alfredo Jaar - The Silence of Nduwayezu
The starting point of the curent project o.T., I am dealing with ‘Wabi-Sabi’ on the stone - an ethical and astehtical notion of the Traditional Japanese Aesthetics in the context of ZEN practically, which is site-spesific and enviromental aesthetics.
Time won't back, it fluxes, but it lies in-between in the natural system – It is my imagination of the notion “time” – for a drawing.
I embodiment with nature through the procedure of the lithography (an imaginative natural processing), and how I will transform it into another. This is an artistic challenge for a creativity. The goal of this creativity is for an idea of the assemblage.
As you can see here, time never goes backwards. Therefore, the theme of my art and artistic research, "memory", is found in natural phenomena. (our brain and cells are also a part of the nature and its natural law.)
“A language is therefore, a social institution and a system of values. It is the social part of language, it is essentially a collective contract which one must accept in its entirety if one wishes to communicate. It is because a language is a system of contractual values that it resists the modifications coming from a single individual and is consequently a social institution. In contrast to language, which is both institution and system, speech is essentially an individual act of selection and actualization. The speaking subject can use the code of the language with a view to expressing his personal thought. It is because speech is essentially a combinative activity that it corresponds to and individual act and not to a pure creation.“ (Barthes, 1967, pp. 14-15)
https://www.art-identityem.com/b-o-d-y-storytelling
Time seems to follow a universal, ticktock rhythm. But it doesn't. In the Special Theory of Relativity, Einstein determined that time is relative—in other words, the rate at which time passes depends on your frame of reference.
The special theory of relativity was based on two main postulates: first, that the speed of light is constant for all observers; and second, that observers moving at constant speeds should be subject to the same physical laws.
The main takeaways behind Einstein's general theory of relativity: 1. Time and space are neither flat nor fixed; they are curved and distorted by mass and energy. 2. Gravity is not a force, but rather a distortion of time and space.
The theory of general relativity says that the observed gravitational effect between masses results from their warping of spacetime.
References:
Richard Wohleim, Ludwig Wittgenstein and others
Nanay, Bence, Aesthetics as philosophy of perception, Oxford: OUP, 2016
Supper, Martin, Geschichte und Ästhetik der Computermusik, Darmstadt: Wissenschaftliche Buchgesellschaft, Hofheim: Wolke Verlag, 1997
Wohleim, Richard, Art and its Objects – An Introduction to Aesthetics, , Grote Profession of Philosophy of Mind and Logic, London: the University of London, 1968
The Berlin gallery Thomas Schulte mainly represents works of art and artists in metaphysics (but in the context of the western avant-garde). So I think Alfredo Jaar is working in the context of Christian culture, but from the perspective of the southern hemisphere.
His metaphysical work is (he expore) rather on the topic of (metaphysical and geometrical) 'tolerance' towards Christian culture in idealism from the critical aspcet, that I saw in (he curated exhibiton) THE TEMPTATION OF EXIST at Galerie Thomas Schulte in Berlin.
In short, after the world war II, during the period of rapid growth after 1950, culture was rapidly industrialized globally, and that culture, including the Hollywood film industry, was based on Christian idealism. The Korean War, the Vietnam War, and the Cold War got worse, and Christian-centered idealism in capitalism conquered the world culturally. The situation is similar today with Russian military aggression against Ukraine and "back to Russian communist basics", is extreme.
Note:
My interest in the work of Tillmans Freischwimmer is not in the synthesis.
As you can see from this free share digital video from WIX, it has already happened. Tillmans hisself knows about that.
https://www.art-identityem.com/portfolio-1
Note:
My Klang Kunst and drawing course is not only artistic mediation of Klang-Kunst as German cultural heritage or my own as an artwork, but also it is based on Thomas Fuchs's "ecology of the brain" (OUP, 2018) as a reference.
Therewith, I think the German Academic Society will be happy to accept it. He is one of the leaders of the German Academic Society in Neuroscience. His book has been known as the title "Das Gehirn - ein Beziehungsorgan" in Germany, 2007, in the research area of - internal medicine- Neurology, not psychoanalysis, not robotics, which research objective is healing from the medical aspect.
Note:
Heidegger's 'Dasein' addressed actually in the research area of the philosophy of religion, but he rejected the traditional way of research, and eventually his thesis was referred to transcendental philosophy.
A realistic way, I suggested a draft of my 2015 PhD in the art thesis “Minimize and Maximize“, was, i.e. Maximize is a black hole.
The reason why this draft of the PhD in art for proposal in 2015 was the significance of this research at the visual and auditory levels.
At the same time, it is the limit of "dimensional space" in art since the Renaissance.–that has been arguing more than 40 years long by researchers. Therefore, I will explore a new proposal. It was a goal of this artistic research at the doctoral level in art.
I showed my draft to the (ex-) supervisors in visual arts in Germany, they answered to me "overwhelmed" with your subject. Their suggestion to me was, to look for another subject...(since then, I am looking for 'something'.
But, this research goal of my draft of the PhD in the art for the proposal in 2015 is already started (already going as a scholarship program) in the research field of image sicence and fine arts in the USA.
The issue with 'perspective' in visual arts is how humans see the object(s) in space.
In the Today's fine arts education, it is not important to draw with perspective techniques. Thus, what is important is the communication between humans through the drawing.
To draw with 'perspective' does not mean the same with human intelligence. Today, we have many different types of communication methods. It applies to the Western music score and its geometrical aesthetic (proportional beauty as a nature) also.
I am also an art-teacher for
Experimental design, Drawing (Fine Arts) and Klang-Kunst in Visual arts/Music, Writing (storytelling) and Performance (Dance-Theater/Music Composition, Dramaturgy and Choreography) in Performing Arts, and art representational theory.
Lithography, that requires knowledge of physics and chemistry, is concerned in this project with an aesthetic based on the exploration of nature in "Wabi-Sabi (侘び寂び)".
It explores artistic metaphors by solving research problems in the context of serendipitous events on stone through the laws of nature.
Note:
I dealt with "After End of the Art"(1996) by Arthur C. Danto in my artistic research project "Point In Time" (2013 – 2014 until April) in German and English
https://www.researchcatalogue.net/view/59807/60112
As a research position of 'Feedback': Nechvtal and Elastley.
Nechvtal's doctoral thesis "Immersion Into Noise" (Open Humanity Press, 2011) is one of my research aims. – contemporary art in post-photographic and post-conceptual era
Eliminating the culture of colonialism and Christian dominance at the academic level is an important issue for free economy capitalism at the global level as well, especially for the democracy, after the informational society, social media (self-determine) epoch in the 21st century.
Note:
Certainly, I think that Tillmans is an international artist who was based in the London art scene, in terms of the organizational strength that has made use of the media of the time strategically and formed their own art scene and its community.
His foundation Between Bridges is committed to humanism, solidarity and against belittling democracy. It promotes the arts, supports LGBT rights and anti-racist work.
Beyond academic concepts and their terms, what is academically recognized is the human imagination in the context of arts and humanties.
I'm looking forward to seeing how his fluid activities will change from now on. His foundation which is based in Berlin, supports young artists, especially those from Eastern Europe, who will lead society in the future.
Note:
For us, academic knowledge of 100 years ago is a classic already– in the research field of art history, archeology, anthropology, ethnology–How we know, there are always gaps between classic and modernity
Biochemistry or biological chemistry is the study of chemical processes within and relating to living organisms.[1] A sub-discipline of both chemistry and biology, biochemistry may be divided into three fields: structural biology, enzymology, and metabolism. Over the last decades of the 20th century, biochemistry has become successful at explaining living processes through these three disciplines. Almost all areas of the life sciences are being uncovered and developed through biochemical methodology and research.[2] Biochemistry focuses on understanding the chemical basis which allows biological molecules to give rise to the processes that occur within living cells and between cells,[3] in turn relating greatly to the understanding of tissues and organs, as well as organism structure and function.[4] Biochemistry is closely related to molecular biology, which is the study of the molecular mechanisms of biological phenomena.[5]
If each one can deal with these topics, everyone can begin to go beyond Kant's theory in the 21st century finally.
The issue of materiality and its beliefs in German history. One is, we can see it in 'metaphysics' in Germany historically. I claim that 'monadology' is one of them – a wrong knowledge (human contradiction) – today's issue of German idealism
Thereby the problem is AI would become this position of transcendence. However, AI is mamaged by humans through the organisation.
It is an era of human love, not God's love in the 21st century.
One of the causes of water pollution problems in Asia is chemicals such as bonds.
This is a deadly level.
It causes thalidomide disease.
Sources of toxic chemicals include improperly disposed wastewater from industrial plants and chemical process facilities (lead, mercury, chromium) as well as surface runoff containing pesticides used on agricultural areas and suburban lawns (chlordane, dieldrin, heptachlor).
Moreover,
For adhesives, there is the issue of formaldehyde and other VOCs (volatile organic compounds). Formaldehyde is highly acutely toxic, and has a particularly strong irritant effect on mucous membranes, so it is treated as a deleterious substance and is designated as a Group 2A carcinogen by the International Agency for Research on Cancer (IARC).
between inhabit(ing) and habit
- A very short story (of) 4 x 4 video = 16 videos
by erika matsunami
Berlin, 2021
For study
It is no exaggeration to say that people with disabilities in Asia are victims of the modernization of developed countries. Today, the state of the post-war developed countries has become global.
A visual sense of subjective and objective time and space without music and sound effects.
It consists of a series of unmanipulated videos (filming and editing) on an audiovisual level, without effects. (Raw materials, O-Ton (original sound))
It's a simple piece (enough for study), but you can see that social media video clips have the same level of stimulation as video games in our daily lives.
A notice:
I think it's clear why exploring 'mimesis' for all types of arts (music, architecture, design, visual arts, etc.) is important in relation to 'imagination' in the arts and humanities. – Man is a part of nature (and its law).
Note:
Representation method of multi-channel video work:
This work will follow narratively as a series of works one at a time only at the beginning, but after that it will be random according to the length of each video work in a loop.
I think that without reset, it will never back to the beginning of a series of works one. (This is still an idea, I need thereby to calculate the each of video length mathematically. If I would like to know about randomity of this work (monitoring video installation)
Two important things are observational (natural time without effect) and slowly (for recognision.) These are same as my sound composition i.e. observational without time stretch. )
I considered this work for dealing with the narrative of painting as a starting point, not time and space of sculpture. As a result, or 'neither'.
The camerawork is thereby observational subjectivity and objectivity like a painting.
Joseph Nechvatal's work is the painting with the help of a robot's arm through his composition (following DADA and Surrealism). Thereby he is writing, that is his mimesis.
Max Eastley created the site-specific installation. Thereby he created his own instrument (for playing the improvisation), that is his mimesis.
Wolfgang Tillmans created photographs. Thereby his mimesis is "Freischimmer" (2003), we can see it in his photography series.
In the exhibition "Imaginarium III" Galerie Wedding in Berlin, I took part in the exhibition "Imaginarium III" with my project "B.O.D.Y. "(2010). Thereby the curators selected my work "B.O.D.Y. - hidden codes" together with the project B.O.D.Y. (2010), that was my mimesis in this project "B.O.D.Y.".
In the case of John Cage, in the Ryoan-ji, his mimesis is his drawing.
The next task and issue of the lithography:
Etching is a type of surface processing method that mainly targets metals, glasses, and semiconductors, and uses the corrosive properties of acids, alkalis, and ions to partially scrape the surface to obtain the desired shape.
Chemistry: Acids and Alkalis
"We can change our destiny." – on creativity – for the ecological life
Studying through the lithography about nature, and human activities
in design and art, and human life and society,
when we are considering the future,
Lithography is a great art medium for teaching and learning with children.
The artistic research objective(s) with the lithography and sonic art are a possibility of the new ecological design in the 21st century from the nanotechnology - coexistence and sustainability - for a new life (style)
Every substance have energy. Good or bad, we can't judge.
All molecules are made up of atoms that are bonded to one another with tiny bundles of energy. In chemistry, you study many kinds of bonds, some of which are strong, and others that are weak. The strongest bonds contain the most energy; the weakest ones have the least.
In my case of etching, the semiconductor itself as a material is not a problem, I can probably change it quite easily. My painting technique is based on traditional Japanese painting, so this method is much better for my painting when I convert it to lithography. For me, it is healthy to work and I don't want to give any health damage to the print-master (the technician) for my artwork. My collaborator sound-master today, he is working with the scientists as a leader of the international project. He said me that it is really different work with the artist. Yes, of course, the task and objective of the artist is in terms of ethics and astehtics. Thereby, there is no 'Function'. And in the case with the scientist, there is the Function. If your object has the function, it is usually in the branch of the industry design. Even if my lithographic work, if there is function, it is for examle a sign for showing the direction in the building. Between these two different creations, there are different types of licence.
Here, in this artistic research, I explore aesthetic and ethic, that is no moral. I think that is an emotional intelligence (the capacity to be aware of, control, and express one's emotions, and to handle interpersonal relationships judiciously and empathetically.)To listen the classlcal music is not enough, and just to draw freely is not enough for developing emotional intelligence. We can have many experiences from the nature.
The next research question is the material of paint, that is today's water-based paint. However, it is made by latex, as a bond of the pigment. This is why my paintings are not cheap and there are few of them. Depending on the colour, I also buy some watercolours from the USA. I started to draw with original material and methods of the ecological in art again, which was for showing in my art teaching class. So, I did not present my drawings in the exhibition, only those related to my installation. Most people, how to know the art through the screenshots today. The material for the painting does not mean only several types.
B.O.D.Y. – そして、それから_ et ainsi de suite_o.T. : sense (2014)
This drawing is a part of the spatial installation. Love for the earth (ground), but at the same time, an attention ecologically.
There is another one in this spatial installation, that is the components in the air, and an attention ecologically.
I dealt with the different types of red colour (natural red pigment).
In the case of digital, the colour is 'number'. It is usuful for the industry product, however, final product is with the physical material. Today children do not know, 'What means the nature and its component.'
The work by artist, the (im-)materiality and aesthetic that is one of the topics of "The Matter of Art". In the conference #APRAN2023 is the artistic research by Dr. Carolyn Meckenzi-Craing -> #APRAN2023
The objective(s) of these drawing and painting were, attention to the ecology and its beauty.
Its matter of biological nature cannot 'keep' forever. -> oxidation
Not only in drawing/visual arts, also in Klang-Kunst (through Klang-Forshcung, i.e. sine wave), I teach with the natural components. -> sound/sonic composition for the stutdy of Klang Kunst and Klang-Forschung
In the historical and traditional way of
Johannes Itten (11 November 1888 – 25 March 1967) was a Swiss expressionist painter, designer, teacher, writer and theorist associated with the Bauhaus
Today's international industrial norm. But it is also a part of the Western European tradition, they had the coronial background and worked still in the coronial context of the global free tread.
Things are different now than when I was a child.
It was a time when the world was still divided into north, south, east and west.
What I have noticed since 1990, and what I still think about, is the fact that completely opposite worlds existed while confronting each other. It was a world where the meanings of "freedom", "time" and "money" were completely different and had no commonalities.
Phénomènologie de la perception, Merleau-Ponty, published 1945 by Gallimard, Paris
Phenomenology of Perception
‘In this text, the body-organism is linked to the world through a network of primal significations, which arise from the perception of things.’
Michel Foucault
‘We live in an age of tele-presence and virtual reality. The sciences of the mind are finally paying heed to the centrality of body and world. Everything around us drives home the intimacy of perception, action and thought. In this emerging nexus, the work of Merleau- Ponty has never been more timely, or had more to teach us . . . The Phenomenology of Perception covers all the bases, from simple perception-action routines to the full Monty of conciousness, reason and the elusive self. Essential reading for anyone who cares about the embodied mind.’
Andy Clark, Professor of Philosophy and Director of the Cognitive Science Program, Indiana University
Lithography, that requires knowledge of physics and chemistry, is concerned in this project with an aesthetic based on the exploration of nature in "Wabi-Sabi (侘び寂び)".
It explores artistic metaphors by solving research problems in the context of serendipitous events on stone through the laws of nature.
Artists in the early 20th century argued that the realism of Western art is the image being made intentionally, that is not evidence or truth of. Furthermore, through interpretation, it becomes just a understanding of the viewer. It disconnects of a reality. So, realism in the Western art is an artistic style of art. It is a sort of fiction that is based on non-fiction. It is not a documentary, and it lies in another research field.
The artistic methods are not far removed from the artistic methods of John Cage.
Which material(s) deal with the topic(s) and how it is organized in the artistic media - it is up to the artist.
John Cage dealt with various (im-)materials, dealt with different themes, and developed artistic techniques. Therefore he organized them in the artistic and auditory media for representation. His works were "performative". He transformed them from one to another into something.
In these procedures, he created the notion such as an art technique or a new matter of art, not the artwork.
If an art object represents no 'notion', that is an object, maybe just a cute one.
The debate that occurs is a discourse, which is different from a scandal, which becomes a social theme depending on the way the art is expressed.
John Lennon and Yoko Ono's Bed-in action in 1969 was more conceptual artistic activism. They were political and provocative. They used the mass media for their message of peace against the Vietnam War in real-time and worldwide. Their actions were invitation-type actions, not occupation-type actions. An action that occurs when you invite someone into your private realm. Participatory type with external intervention. However, it was reflected through their action (When the TV team arrived at their private space for the interview,) 'They were naked on the bed', namely, they intervened in the audience's realm by having their actions televised live.
Artistic interventions and artistic activities evoke discourse through the creation of extraordinary or unusual rituality. Such as Aktionkunst by Joseph Beuys
Any direct action that destroys or harms another's property is distinct from artistic intervention.
They were post-war pioneers. There were many post-war pioneers-artists in the Western countries, that was the post-modern era (postmodernism in the art)
Without 'Function' in visual arts and with 'Function' in music
Function:
Visual art has a surface, and two-dimensional expression like painting has a front side and a back side. - interpretation
Contemporary art is really interesting, later, as the art historical notion of their art activism was coined and termed 'happening' in performance art.
Art historical discourse in contemporary art is not so important for us in the context of the study of aesthetics. The relativization of 20th-century art history research is beginning now.
The philosophy of art is advanced research, it must be adavanced more than art history.
Here, I would like to refer to the last sentence of Arthur C. Danto's "The end of art"(1996) – it is more important for us in the context of the study of art. He opened the (art) world.
The study of aesthetics reflects also the social science. The study filed of neuroscience will be more important for the study of aesthetics. i.e. Bence Nanay and many others.
However, from the art history, we can study many things, such as original ideas, as well as on the topic of art and culture. For example, I studied his method of systematization of nature and philosophy and colour (modernisation from the tradition, aesthetic and ethic) from the Itten's colour study.
Perhaps, I think that my consideration is close to minimalism. The concept of time is varied and diverse in its expression specifications depending on the environment and culture.
But fundamentally, I think our thoughts are common and can be shared.
"You and I met a long time ago in New York, but you now live in New Orleans and I in Paris. So let’s catch up on what you have been doing in your life and in your curatorial practice. What led you to such an exhaustive deep dive into the magickal chaos of Artaud and your emphasis on tracking his transition (or metamorphosis, as you call it) between his (mystical) white and black periods: a metamorphosis that hinges on the peyote rituals he experienced with the Tarahumaran people in Mexico in 1936 that led to his famous theory of a theater of cruelty based on a “body without organs” (so influential upon Deleuze and Guattari’s BwO ‘virtual’ body as described in their all-important A Thousand Plateaus: Capitalism and Schizophrenia)."
As a drawing, a natural one without any artistic styles, but it is a mimesis and an enviromental perception. – drawing through the cognition
Schizophrenia What's missing?
Studies to date have reported nutritional deficiencies in long-term psychiatric patients. ・Long-term patients with schizophrenia: Decreased blood levels of vitamin E, folic acid, vitamin B12, vitamin C, zinc, selenium, etc.
The risk of developing this disease, which is said to be 1 in 100, begins in adolescence.
Dietary and hormonal balance.
related to the brain.
It may be one of the causes of adolescent suicide.
It's very serious.
Statistically, it is most common in the adolescent to 30s.
I think it's best to have a simple daily life, like, "Children should move their bodies, laugh, and go to bed when they're tired."
It is a modern disease that worries children greatly.
The project N.N-Zwischenliegend (2015–2020) Digital photography, double exposure
visible and invisible: On natural light
In Berlin, 2014
About 'death'
Sleeping, eating, waking up, working, and procreating are habitual (and predictable, it is able to be organised), but death is special because it is not habitual and cannot be predicted by anyone.
“Forgetting” or “resetting” is important not only for monkeys, but also for humans...
There is research on the human subconscious.
Monkeys also have psychology.
Monkeys forget it.
Question
-> On Mind
PhD in photography is very difficult today, due to 'image sensor'.
Its emphasis addresses the context of image science. -> Artistic research N.N-Zwischenliegend
The Philosophy of Photography
A (Post-) PhD in photography program together with the Hasselblad Foundation is on (terms of) VR.
Humans have 23 pairs of chromosomes, while chimpanzees have 24 pairs.
Although they are similar, they are completely different.
It is said that humans and chimpanzees separated (divided) into separate species 6 to 8 million years ago, but I believe they were originally separate species. I think species cannot separate into completely different species. (Reexamining past studies in the future may yield completely different results.)
One copy of the human genome consists of approximately 3 billion base pairs of DNA, which are distributed across 23 chromosomes. Human chromosomes range in size from about 50 million to 300 million base pairs.
The chimpanzee and human genomes are both 3.2 billion bases longs, but the base sequences show a difference of about 2%.
Digital photography, o.T. - transformative process (2014–2022)
(Today's geometory in the digital photography and its time and space)
I want to take more photos of nature and rural life. The European countryside (landscape) still looks like the Middle Ages (in painting: the landscape would geographically change, but 'nature' itself is never change, biological is biological, substance is substance, human is human, dog is dog, bird is bird, and so on. The latitude of the earth has not changed either.), however, every countries are same, not only in Europe. In the tradition, the idea of natural life is not so far from Middle Ages, that is not strange. Therefore, I would like to challenge to explore 'natural life' with the recent knowledge (i.e. biology). – Coexistence between nature and human
The futuristic landscape is merely in the international airport, the part of the metropolis, in the center of systematic buildings, and in the virtual image, are the architecture, transport, energy and communication.
Analogue and digital materials in art, its principle and essentiality
– Contemporary society and bodily contemporariness (contemporaneous) (This is the topic of my practic-based doctoral thesis (draft) in 2019 with audio and visual art mediums), which is towards the foundation of today's conceptual art from the critical aspect
-> Post-conceptual in the post-photographic era
From my research aspect, many artworks (conceptual art) are wrong. So, I cannot write anything about the artwork. Thus, about what I can write on the issue of the problem of which outcome is wrong or a creative joke? Today's conceptual art is a type of creative joke. However, I spoke with the artists (some of whom were granted in the last three years), and their artworks are serious and they believe that their works are conceptual art in the context of Duchamp. But I saw their works, and what I thought, were they a joke?
Finally, conceptual art itself is maybe a creative joke or joker towards the high art.
– About manipulation or error in the art? Is it the reflection of the social phenomenon?
-> artistic research N.N-Zwischenliegend
As you can see from this point of view, humans are different from other animals. From the perspective of genetics research, monkey and human DNA are (it looks) similar but completely different genes. Genes do not mix together during the process of evolution. These different genes never combine–It doesn't grow as a living thing, nothing happen–Humans are humans by nature, and monkeys are monkeys.
Artificial insemination: What it is?
When you look at the works of conceptual artists in the context of conceptual art today in the 21st century, you can understand their level of grasping on 'life' biologically. Most of are dealing with the topic of cultural behaviors, not on life.
The basis of most conceptual art works is wrong, and that is their sub-consciousness.
Currently, researchers in contemporary art are not studying so-called conceptual art as an bachelor art in high art, as was the case with postmodernism.
Some people look at this photo and interpret it as an environmental problem. That's because "yellow" is the predominant color in sunflower photos.
This photo shows a field of sunflowers at the end of summer. In Europe, it is the harvest season of the sunflower seeds.
I like to take pictures in late summer and early fall. I like this between two seasons. I like to move between South and North in Europe, more than between West and East.
This is possible, the research Untitled* Snapse together Untitled* a.o.i.- lasting memories will be explored in the context of the PhD research in Fine Arts, Artistic Research, Visual Arts, and Music (and it relates to Architecture).
Joseph Nechvatal research is right way of practice-based research.
Max Easteley research is practice-led research, is right way.
These analogue photographs (1990 – 2009) are from the project Wonderland, which consists of fragments with text and sound composition.
Pluriverse: A Post-Development Dictionary contains over 100 essays on transformative initiatives and alternatives to the currently dominant processes of globalized development, including its structural roots in modernity, capitalism, state domination, and masculinist values. It offers critical essays on mainstream solutions that ‘greenwash’ development, and presents radically different worldviews and practices from around the world that point to an ecologically wise and socially just world.
A Post-Development Dictionary
Edited by
Ashish Kothari, Ariel Salleh, Arturo Escobar, Federico Demaria, Alberto Acosta
Published by: Tulika Books, New Delhi in association with AuthorsUpFront
https://radicalecologicaldemocracy.org/pluriverse/
In my case, my mother had been exposed to radiation, and the moment I was born, my mother's doctor suspected that I was a deformed child.
Her doctor was worried because my palm was half open, and they thought my fingers were stuck to my palm.
Because of my allergies, I am physically unable to tolerate artificial hormone therapy or modern medical drug therapy.
If I had to choose to prolong my life by several weeks with systemic steroid hormone treatment, at treatment costs of tens of thousands of euros, or choose to die of natural causes... who would choose in this case? is my family who has to finance this expensive treatment.
Once cell destruction begins, life doesn't last long. (Do you understand what I mean?)
Transgender people can undergo surgery, if they are young, it is possible have limbs amputated, and their muscles and bones can be strengthened somehow, also for artificial hormone therapy.
but fractures in the elderly can be life-threatening.
Who is living with prosthetic legs, they train every day. When their muscles grow weak, their tomorrow is...
I think the question here, rather than rapid scientific progress, is always the state of "capitalism." We have always had to explore new ethics for our body, our senses, our life, and our environment.
In 2022, UNESCO published a report on the “Ethical Issues of Neurotechnology,” which calls for the creation of “neurorights”, outlining the need for mental privacy by adopting laws that protect brain activity and freedom of thought regarding neurotechnologies.
We are beginning to recognize and understand what “death” is in the 21st century.
The transition from childhood to adulthood is similar to the hatching of a butterfly from a chrysalis. It's a metamorphosis. Hormones are out of balance and it's a very difficult time.
The next stage of metamorphosis is old age. It's a painful time also that is menopause ...
Symbol "F" in physics is force (Kraft in German)
Why the Darwinian school of evolution has its limits:
Darwin's natural selection, which broke away from the narrativity of Adam and Eve, was wonderfully innovative. However, from the perspective of current genome research, I think that "natural selection" was just a figment of Darwin's imagination.
A symbol function is used to set a symbol value depending on the parameters provided for the function. A symbol function is identified by either an exclamation mark ( ! ) or a question mark ( ? ) that is used as a start value.
In formal logic and related branches of mathematics, a functional predicate, or function symbol, is a logical symbol that may be applied to an object term to produce another object term. Functional predicates are also sometimes called mappings, but that term has additional meanings in mathematics. In a model, a function symbol will be modelled by a function.
Specifically, the symbol F in a formal language is a functional symbol if, given any symbol X representing an object in the language, F(X) is again a symbol representing an object in that language. In typed logic, F is a functional symbol with domain type T and codomain type U if, given any symbol X representing an object of type T, F(X) is a symbol representing an object of type U. One can similarly define function symbols of more than one variable, analogous to functions of more than one variable; a function symbol in zero variables is simply a constant symbol.
https://en.wikipedia.org/wiki/Functional_predicate
In the 21st century human rights, the choice of how to live lies with oneself. That "will" is not egoism.
'Ego' is the era of exploring for something.
What is 'egoism'?
In the 21st century human rights, when it comes to choosing to live, Switzerland legally recognizes natural death through the advance of medicine.
Now is the time to explore what is 'free will'? biologically.
VR research today is for using the communication, which is a virtual simulated and situated – without body in a place – meeting in a virtual third space
Quantum biology is the field of study that investigates processes in living organisms that cannot be accurately described by the classical laws of physics. This means that quantum theory has to be applied to understand those processes. All matter, including living matter, is subject to the laws of physics.
Kant argues that such aesthetic judgments (or 'judgments of taste') must have four key distinguishing features. First, they are disinterested, meaning that we take pleasure in something because we judge it beautiful, rather than judging it beautiful because we find it pleasurable.
https://plato.stanford.edu/entries/aesthetic-judgment/