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contents
- Start page
- The Hrafntinna/Black Obsidian project
- Resonant Silence
- video page Hrafntinna
- Being Conducted By the Ocean
- Personal Acknowledgements
- Reflection and artistic result
- References
- Coloring Echoes by Halldis Rønning 2025
- Concert program 13th of august 2025
- After Talk video
- Listening as artistic practice
- The Creature
- (How) To Play the Ocean by Maja S. K. Ratkje 2025
- Towards a post-conducting practice
- Choreographical Flowers
- Technology
- Audience input
- Essay about the Hrafntinna/Black Obsidian project
- Introduction
- Fluctuations of agency
- Black Obsidian Suite
- The concert, video and audio documentation
- The Hrafntinna/Black Obsidian Score
- Halldis Ronning
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navigation
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abstract
Halldis Rønning's artistic research contributes to the field of conducting, transdisciplinarity and listening practices. She seeks to open the traditional conductor's role towards co-creative practices and find new artistic expressions of conducting. Can conducting be conceptual art? Can it be performance or dance? How can it relate to visual art? Her motivation to open up the role is rooted in a wish to deepen her listening practice as a conductor. This deepening includes creative, spatial, embodied, visual, imaginary and relational listening. Listening as artistic quality and as artistic process. The work starts in the experimental art field and ends up in the Concert Hall with Stavanger Symphony Orchestra. There is a feministic context to the research and she touches upon topics such as mutual exchange, space to create, agency and control. But also the conducting body as an expression in itself, in relation to nature or an orchestra.
- Halldis Ronning - Meditations on Listening, a creative exploration of the conductor's role and a development towards a post-conducting practice - 2025
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