List of references.

[1] Copeland, R. (1983). Postmodern Dance Postmodern Architecture Postmodernism. Performing Arts Journal, 7(1), 27–43. https://doi.org/10.2307/3245292
 
[2] Forsythe, W., & Haffner, N. (2012). William Forsythe: Improvisation Technologies A Tool for the Analytical Dance Eye. Distributed Art Pub Incorporated.
 
[3] (Collaborator), B. B., deLahunta, S., Hoogenboom, M., Ziegler, C., Bevilacqua, F., Alaoui, S. F., & Gutierrez, B. M. (2011, November 20). The double skin/double mind interactive installation. Journal for Artistic Research. https://www.researchcatalogue.net/view/8247/8248/100/100

 

 
[4]  Narayan, R. (2013). Cell cycle phases (video). Khan Academy. https://www.khanacademy.org/test-prep/mcat/cells/cellular-division/v/cell-cycle-phases 

 

 
[5]  H., M. G. C., & Escher, M. C. (1965). Symmetry aspects of M.C. Escher’s periodic drawings. A. Oosthoek’s Uitgeversmaatschappj. 
 
[6] Schwaiger, E. (2011). Aging, gender, embodiment, and dance: Finding a balance. Springer. 4 Oliver, W., & Risner, D. (2017) Dance and Gender: An evidence-based approach.